A Quote by Neneh Cherry
I had this weird, nomadic little tent with a rug over it, like a booth where I'd sing the vocals.
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My bed is my weird little haven. It's like a deflated tent.
He used to have a tent show, a little tent show, and I thought I was going to get a job working one year on the tent show, but he closed it down and I never got to go out there, but anyway, he had a sax and played drums.
When I left home at sixteen I bought a small rug. It was my roll-up world. Whatever room, whatever temporary place I had, I unrolled the rug. It was a map of myself. Invisible to others, but held in the rug, were all the places I had stayed - for a few weeks, for a few months. On the first night anywhere new I liked to lie in bed and look at the rug to remind myself that I had what I needed even though what I had was so little. Sometimes you have to live in precarious and temporary places. Unsuitable places. Wrong places. Sometimes the safe place won’t help you.
It's no longer necessary to slave over the vocals. I don't sing the lyrics until I write them, and singing is the very last thing I do. I record the entire track, and then I worry about lyrics and vocals. The music will suggest where the words are going to a certain extent.
I do most of my vocals - aside from a couple of little one-shot vocal samples. I record everything into the Saffire with an SM58 then scratch it with loads of plug-ins. I don't do much vocoding to be honest. All my vocals are usually done with Melodyne and a ton of other plug-ins to make it sound weird.
As far as favorite 'overall package' record of all time, I'd have to say 'My Girl' by The Temptations. I like everything about it, not only the composition - but the arrangement, the production, the lead vocals, the background vocals, the horns, the strings. That one I listen to over and over again.
I don't think my vocals demand effects. I like reverb to a certain extent, but I don't want to hide my voice. I like stripped-down vocals, but I also like crazy, powerful, doubled vocals like in dance or electronic music.
I want girls to feel that they can be sassy and full and weird and geeky and smart and independent, and not so withered and shriveled. (The American Apparel ads) I'm over this weird, exhausted girl. I'm over the girl that's tired and freezing and hungry. I like bossy girls. I like people filled with life. I'm over this weird media thing with all this, like, hollow-eyed, empty, party crap.
I cannot sing karaoke because it's hard and weird. If I actually tried to sing, I would probably sound good, and I think that's weird and not fun.
Getting comfortable again and being in a vocal booth on the opposite end of the spectrum, when you're normally the one tracking the vocals, is kind of scary.
I can't sing, but I'll sing over this chord progression, like, over and over, for however long it takes - sometimes it's, like, two minutes, sometimes it's 20 minutes - until I've found like a hook or something that I'm really happy with. And then, basically, it just like that's my melody, and that's where I start from.
I had almost no money, but with the little bit I had, I got a ticket to see 'That Championship Season' at the Booth theater.
When I sing, I go somewhere else. Every time after I sing, I'll ask, 'Did I do OK?' Because I feel like it's like my soul squeezing out of my vocal chords. I don't sit there and think about 'I'm gonna do this next...' I just sing. I sing from my heart, and my heart's got a little lonesome in it.
At the bottom of all the tributes paid to democracy is the little man, walking into the little booth, with a little pencil, making a little cross on a little bit of paper. . . .
I've been doing acting since I was 6 years old, and I don't know how to do anything besides act and sing. Back in the day, you had to do it all - you had to sing, dance, and act. I'm from the old school where that is what I was trained to do, and that's what I am expected to do, so it's weird when people ask me to choose.
Besides my fast and slooow songs, I further divide my work into three main song types: the ballad or story song, the variation on a theme (saying the same thing over and over and over again) song, and the weird song. It's important to have weird songs, but I find that a little weirdness goes a long way.
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