A Quote by Neneh Cherry
I think I've grown up in a mixed environment, and maybe a lot of the time I haven't really belonged anywhere in the way I've dreamt of belonging to, you know, living on the street and playing to all the kids on the street, growing up together. I suppose 'Raw Like Sushi' was a place where all of those things could come together.
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Growing up in Rochdale, I think, all the kids in my street, pretty much every boy was playing cricket. I had four brothers as well, and we played a lot together. When it was just me on my own, I was bowling at a drainpipe.
We're growing up together, the human race. And we've discovered a lot of things that we didn't know. We're finding our way. Instead of thinking about doomsday all the time, think about how beautiful the world is. We're all together, and together we're getting wiser.
It still feels like I am just playing with my mates a lot of the time. A lot of us in the England team have grown up playing cricket together and formed very close friendships, which makes the dressing room a very enjoyable place to be.
People don't just show up and lie down in the middle of the street some place out of nothing. Somebody said meet me there, let's get together, and let's do this thing. The interesting thing is that we don't know who all of the leaders of these groups are, but we know that they're out there, and we know a new group of leadership is being created. It shows you that leadership can come from anywhere.
The street is where we all learn. I played organized football growing up as well, but when that was over, I went right to the street. I remember twisting my ankles, breaking my thumb, I hurt everything when I was little playing street ball.
I was born in Owerri and grew up in the east of Nigeria, in Imo state. You could say I was a 'street boy': we grew up on the street, played on the street, did everything out on the street. It was a difficult life altogether, but that's how we grew up.
I was always real back and forth about the whole religion and God. That comes from me just dealing with that pain when I was younger, and just growing up, living that particular street lifestyle. It brought my relationship with God into question many times. I wanted to repair that and fix that, and that's what I went in and did. I did all of that. I wrote many albums and all that kind of stuff, but the most important part was fixing my mind, body, and soul; getting it together, really getting it together where I could have a future, and a successful future.
There are a lot of things going on that's causing a lot of these young kids to head in the wrong direction. I know a lot of kids that are cutting school. I try to give out a positive message, trying to get kids focused. If they don't then they're going to end up like every other hoodlum in the street.
I really think kids should understand that music is like learning the alphabet. You put small letters together to make words, and then you use these words to create a story, but with music. And they really need to know how to mix and match those letters and how to come up with something that is really interesting, or speak in metaphors as poets do to show us something maybe we didn't think about.
Your street, rich street or poor
Used to always be sure, on your street
There's a place in your heart you know from the start
Can't be complete outside of the street
Keep moving on through the joy and the pain
Sometimes you got to look back
To the street again
Would you prefer all those castles in Spain?
Or the view of your street from your window pane?
I grew up playing with kids who were the kids of people my parents grew up playing with, and they know me like nobody else. I thought everybody was that way when I was growing up, and then I left to go to college, and I realised that the world is full of strangers.
Growing up in a very big family, working together and playing together, that is something that has been part of my life since ever I was born. It has advantages and disadvantages. It's like an older style of living where everyone works in the family business.
Growing up, I never really felt like anything was my own. I moved a lot, and I never belonged anywhere.
One of my pleasantest memories as a kid growing up in New Orleans was how a bunch of us kids, playing, would suddenly hear sounds. It was like a phenomenon, like the Aurora Borealis -- maybe. The sounds of men playing would be so clear, but we wouldn't be sure where they were coming from. So we'd start trotting, start running-- 'It's this way! It's this way!' -- And sometimes, after running for a while, you'd find you'd be nowhere near that music. But that music could come on you any time like that. The city was full of the sounds of music.
We tried the first evening to go down Division Street and Rush Street, but we couldn't get in anywhere because they didn't like [ Emilio Estevez] sneakers and they didn't like my boots. This was 1983 or '84, so it was ridiculous. We ended up at a jazz club, where you go downstairs and there's a very cool place.
I will say, though, that San Francisco is a very friendly city. It's the kind of place where people smile at you and you can strike up conversations on the street, so there's always an adjustment when I come back to New York. If I smile at someone on the street in New York, then they think there's something up - like, "Why is she smiling?"
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