A Quote by Neri Oxman

At least since the Industrial Revolution, the world of design has been dominated by the rigors of manufacturing and mass production. Assembly lines have dictated a world made of parts, framing the imagination of designers and architects who have been trained to think about their objects as assemblies of discrete parts with distinct functions.
The world of design has been subjugated by the rigors of manufacturing and mass production.
Over the past 20 years, I have noticed that the most flexible, dynamic, inquisitive minds among my students have been industrial design majors. Industrial designers are bracingly free of ideology and cant. The industrial designer is trained to be a clear-eyed observer of the commercial world - which, like it or not, is modern reality.
China is a great manufacturing center, but it's actually mostly an assembly plant. So it assembles parts and components, high technology that comes from the surrounding industrial - more advanced industrial centers - Japan, Taiwan, South Korea, Singapore, the United States, Europe - and it basically assembles them.
Ever since Marcel Duchamp appropriated mass market objects and pronounced them 'readymades' and Andy Warhol elevated the Campbell's soup can and Brillo Box to art, artists and designers have been blurring the lines between fine art and commerce.
For hundreds of years Iranians have been migrating to many parts of the world. They took Islamic culture to other parts of the world and established it there.
In the industrial revolution Britain led the world in advances that enabled mass production: trade exchanges, transportation, factory technology and new skills needed for the new industrialised world.
We have always underestimated the cell...The entire cell can be viewed as a factory that contains an elaborate network of interlocking assembly lines, each of which is composed of a set of large protein machines...Why do we call [them] machines? Precisely because, like machines invented by humans to deal efficiently with the macroscopic world, these protein assemblies contain highly coordinated moving parts.
We have a very good history of manufacturing in this country but I worry that these skills are being lost. We walk around saying, 'We haven't got any manufacturing any more' but Made In Britain really means something, particularly in other parts of the world. We need to support British manufacturing.
Hundreds of thousands of UFO sightings have been made by persons in all walks of life, in all parts of the world. Tens of thousands of UFO reports have been made to governmental and private agencies in the past 55 years. Thousands of these reports have withstood careful scrutiny and appear to represent real objects having a novel nature.
In many parts of the world, including the Arab world, the Latin American world, and even parts of the Western world, there is a tradition of writers being quite engaged. Particularly in the Arab world you have had very, very strong traditions of literature and poetry and most of the writers have been deeply committed to the cause of the Arab nation.
If you’ve been here, in New York, it has been dominated by the UN General Assembly, the annual event where delegates come from all over the world to f*** up this city’s traffic.
With production alone as the goal, industry in North America was dominated by the assembly line, standardization for mass consumption.
During the 1960s, and again in the 1970s, growth in manufacturing productivity in the United Kingdom was the lowest of all the seven major industrial countries in the world. During the 1980s, our annual rate of growth of output per head in manufacturing has been the highest of all the seven major industrial countries.
We have to remember examples of many artists of conscious rap who have been coopted by the Department of State of the United States to be cultural ambassadors in different parts of the world, like Syria, like other parts of the Middle East, including conscious Islamic-American rappers that are representing an international political agenda for the United States through cultures more affable for people of color in other parts of the world.
Most of the people I write about have been ambitious outlanders who have been attracted to New York from other parts of the world.
Our world is not an optimal place, fine tuned by omnipotent forces of selection. It is a quirky mass of imperfections, working well enough (often admirably); a jury-rigged set of adaptations built of curious parts made available by past histories in different contexts. A world optimally adapted to current environments is a world without history, and a world without history might have been created as we find it. History matters; it confounds perfection and proves that current life transformed its own past.
This site uses cookies to ensure you get the best experience. More info...
Got it!