A Quote by Nestor Carbonell

I always like to try to bring whatever I can to what is on the page, so I like to find as much dimension as I can, in each role. — © Nestor Carbonell
I always like to try to bring whatever I can to what is on the page, so I like to find as much dimension as I can, in each role.
If it's strictly comedy, I like to bring some darkness to it. If it's strictly drama, I always like to lighten it up as well. I like to find some kind of dimension and make my characters human, so that it doesn't feel like a sketch and feels more like a slice of life.
My dream role is to portray someone like James Baldwin. I've always been a fan of his writing, and I feel like he's one of our unsung heroes. He's been pretty much forgotten, and I think he needs to be recognized. He had to go all the way to Europe to find recognition and acceptance, and I'd just like to bring him to the forefront.
I feel like I express myself, as an actor. Whatever the character is put in front of me, I try to bring truth to it, whichever way it lands. I try to bring as much truth to it and make it as believable as I can. I think that's the job of an actor.
If you're working with a producer like Rick Rubin or whatever, you sing each line probably 30 different ways. Each time, they're like, 'Can you try it this way? Can you try it that way?' That's each line in the song, for each song.
If you're working with a producer like Rick Rubin or whatever, you sing each line probably 30 different ways. Each time they're like, "Can you try it this way, can you try it that way?" That's each line in the song, for each song.
No matter what political cause compels us, we should always feel as though it's being threatened. We should use these causes, whatever they are, to bring people together and get each other excited about our role, so we feel like we can't stop and won't stop.
I'm not a critic. I'm an actor. I see the role I get given on the page. I try to bring it to life as best as I can.
You can make an interesting character in a small portion of a movie, for a character that doesn't have that much on the page, if you just find the contradictions. That's something that I try to bring to my performances.
I don't really pay too much attention to designers, I know what I like and I just try to find it, and I always try to find a cheaper deal because I have a tendency to be a cheapskate sometimes.
I find that when you do yoga, you don't crave unhealthy food. But I try to always let myself eat whatever I want. I have dessert or chocolate every day, but I'll only have a few bites. I try to have a little bit of cereal in the morning, and then I always try to have protein for dinner, too. But I eat pasta and stuff like that.
I always felt like I could combine good pop songs that are easy for people to like with a real person and a real mind and integrity. So maybe I bring people into that pop world who don't usually find themselves there because there's not enough stuff for them to get excited about otherwise. I try to be genuine. I try to be real. It's such a subjective thing, but I try to convey an emotion.
I think that I identify with my role in pretty much everything I have tried to do. I try to find something that I can understand about each character's behavior.
I like meeting directors. It can be helpful because sometimes when you meet filmmakers you find out if you like them and if they like you, and that is important in terms of considering a role. Choosing a role is all about whether I relate to the role and the story really. That's the criteria.
The key research I usually apply that allows me to understand the roles that I take on, starts with the script in front of me, and what it offers. I try to absorb as much of it as I can, in the time that I have to study it, and I like to change things up, if I have a choice in the matter... and I usually don't. I dream on it, write about and find out who the individual is, and try to bring him to life with as much human and truth as I can.
If the part isn't always there on the page, I've had good relationships with writers where there's an openness to bring more to the role.
I get letters from kids from all over the country. I always try to answer them because there were people I looked up to in my youth and just wanted to be in contact with. It's also important to realize that you find your role models in a lot of different places. I've never believed that your role models have to look like you. You can find them in all sort of colors, shapes and sizes.
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