A Quote by Netta Barzilai
I like to mix things up and I take inspiration from many different art forms.
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I'm interested in so many different things and art forms.
I think the most remarkable thing about ice, in my opinion at least, is that it occurs in many, many, many different forms. Most solids occur in typically one or maybe two or three different forms, and ice has approximately 15 different crystal forms, as well as two forms that are called amorphous, which means without any shape at all.
I think art world will have consolidated, I think it will slow down a little bit. I think it will be less white and Western, which it is still at the moment. There will be more female artists in the mix. I think we'll see art forms explored through different media - the Internet, television, books, even. We'll see art produced in forms and media that we haven't seen yet.
We cannot underestimate the power of the different art forms, and the correspondences between them, which are an unending source of inspiration and enrichment.
I just love food and the art of it. There's such an art to being a good chef and the way you present food and the different ingredients you use. It's like music - you get inspiration from different genres. It's the same with art, too.
I thought about how to film something, how to take pictures of it and how to mix it all together. And I was getting that through Patti [Smith] - because she takes pictures, performs, writes; she does so many things, and that was a big inspiration to me. It helped me realized that I'm not just a fashion photographer. I wanted to do all these other artistic things as well, and during filming my mind opened up to those possibilities.
I have so many different role models who have taught me so many different things at so many different points in my life, it doesn't feel like I have one person that I have to live up to.
There isn't one thing in particular; rather, a lot of different things give me inspiration. I tend to come up with tunes when I do things that are not part of my daily routine, like traveling. But even during my everyday life, I come up with tunes when I'm emotionally moved. By looking at a beautiful picture, scenery, tasting something delicious, scents that bring back memories, happy and sad things... Anything that moves my emotion gives me inspiration.
But when it comes to things of the mind, things like coaching, game-planning, coming up with offensive and defensive schemes, there's no reason why a woman couldn't be in the mix and shouldn't be in the mix.
I can one day do dance, and the next maybe do a movie, and then maybe I can choreograph, or work with different photographers for fashion shoots, or different art forms. You're never stuck. You're going at a different level. You're sucking in things, rather than closing. You're trying things out.
When you mix a record that someone else is on, you've got to send it to them. They've got to like the mix, you got to like the mix, the producer's got to like the mix. Too many people are involved!
My philosophy with my career is mostly to just mix it up with a little bit of everything in moderation. And that's what makes my job so great, is that I get to constantly do different things, put on different hats, be different people, and mixing up the genre really lends itself to that.
I felt so nourished by the process of making [Moana], of you're always engaged with other artists from different disciplines, and it's about bringing your art form to the table. It's so many art forms mashed together.
When you study art history, you learn that there is very little that is completely new, and in many ways digital art is no different. I love to derive inspiration from all types of images: mosaics, hieroglyphics, petroglyphs, woven patterns in textiles, and needlework. There is a lot of very good "pixel" design work before the 20th century, like a 1760 sampler by Elizabeth Laidman that looks like a bitmap font.
I really try to find inspiration in all band's I've toured with because everyone's up there doing their own thing and captivating in different forms.
The city is a fact in nature, like a cave, a run of mackerel or an ant-heap. But it is also a conscious work of art, and it holds within its communal framework many simpler and more personal forms of art. Mind takes form in the city; and in turn, urban forms condition mind.
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