A Quote by Neve Campbell
I do, in some senses, feel that Hollywood and Washington are similar in that, first of all, they are, again, male-dominated worlds, which is not unusual. There are a lot of industries like that, but also, there's a lot of politics when it comes to the ins and outs of getting things done, getting a film made.
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You can see a lot of politics on a lot of different channels. I'm not interested, really, in talking in some wonky conversation about politics, though. It's not my speed. I'm not interested in the ins and outs of health care.
When I've done TV and film, when it's offered to me, I loved doing it, and I would do it again, but the ins and outs of auditioning is - that's time away from my kids.
I know a lot of other actors that don't like to look at other references to their characters and things. But I like it. I always look at everything, I read all the books. I read Dieter's "Escape from Laos." I watched the documentary again and again and again. I recorded it just to listen to him a lot. I just don't suffer from feeling like I'm getting caught into an imitation. I just feel like I want to steal some good stuff if it's in there.
I don't see [ Trainspotting ] as an albatross, I see it more as a calling card. It's got me out to Hollywood, I've got a good agent, I've got a good manager, I'm getting a lot of work out there and doing a lot of stuff - getting a lot of film projects on the go.
There's an old joke that politics is Hollywood for ugly people. An awful lot of the press coverage about Washington reads like coverage of Hollywood. Madonna is having some spat with Sean Penn. Who cares? And who cares which politician is mad at that politician?
I feel like when you're out there and getting reps up and getting a lot of time, then the game's starting to slow down a whole lot.
I've been studying the Bible for a long time. I remember that after the first five years or so of diligently studying the Word, I didn't feel like I had made any progress. There were a lot of things in my life that were out of order, and I didn't feel like I was getting anywhere.
Getting signed shouldn't be the point. I made that mistake early on and I think a lot of people do. It's not something you should rush into. I think I'm actually lucky that when I went to visit labels when I was 20 years old and played and they thought I wasn't ready, it was probably a good thing because I wasn't ready. I didn't know what I was getting intoat the time. I mean, you never know exactly what you're getting into. There's a lot of stuff that's going on right now that's new to me but there's also a lot that I'm lucky to know how to handle.
I learned that getting a movie made in Hollywood is a near impossibility, and the process can be a wild adventure. TV is a lot more consistently productive - no offense to the beautiful world of feature film.
Obviously, at PSG, they have the best players in the world. Being with that group has really made me strong. I have watched the ins and outs of everyone, Neymar and Mbappe and all those guys in training, and I really feel that it has moulded me into a stronger person and a fighter, and it made me a lot hungrier than before.
You could easily spend several lifetimes trying to master film. It make very good use of all the things that I love. Narrative, image-making, also sound and music. It's so full that I can't really imagine getting tired of it. Or getting to the point like I feel like I know it.
Getting fitter is just like getting a new haircut. It changes the way you look and also changes your outlook towards a lot of things in life.
The first director who ever allowed me to shoot a film for him was a male. He was a gay male. My first feature also came from him. I worked for a lot of dudes at NYU.
People who have various kinds of politics for whom it is congenial for their apriority politics to say yes, things are getting much worse. They are opposed by people who also have a priori politics saying that this is the best of all possible worlds, capitalism is the greatest thing since sliced bread and you're just alarmists and so on and they can massage the data so it fits them.
At the time I left film school there wasn't a lot of hope for young film-makers. It was a calling card of film school to be quite slick and commercial, which might lead to getting some stuff on telly.
I was going to the flea markets to buy furniture. It was getting done the way it was getting done - on a small scale and with a lot of soul and heart and risk. We did fashion like fashion was done before - spontaneously, with joy and freedom, and that's what created our identity.
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