A Quote by Neve Campbell

I find the most interesting and most daring scripts tend to be for independent films. — © Neve Campbell
I find the most interesting and most daring scripts tend to be for independent films.
Sometimes the characters I find the most compelling are in independent movies. With independent scripts people can take more challenges.
I find most American films annoy me because their third act tends to be tying up loose ends and returning to moral values and killing the monster. I think most of the scripts I read to tend to go in that direction and I find that very, very unsatisfying. I want the stories to have loose ends and to pose some questions - or even say things that aren't too comfortable.
Most of my movies are indies. The best scripts I can find are independent films. But I love big-budget movies, I love craft services!
Here are the good things about independent films: They do the more interesting, chancy scripts. They're run by love.
I'm always looking for films, but the horror scripts that I get tend to be very repetitive and often not that interesting.
I find that most of my scripts have a lot more scenes than most films, so the average movie might have 100 scenes, my average script has 300 scenes.
One must have the adventurous daring to accept oneself as a bundle of possibilities and undertake the most interesting game in the world -- making the most of one's best.
The research is the most interesting part… That’s how I work. I go some place and I walk it and I talk to people until I find what I’ve come for. Or not. Fortunately, I tend to find what I’m after.
Independent films, for the most part, to me, are not so independent. They often feel like people auditioning for a big commercial career. They often do not have independent spirit to them.
I find the training of the mind that Zen puts people through is by far to me, the most interesting, one of the most interesting disciplines.
You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label. There's like, 18 different independent film-financing funds. In fact, I think the children of those films are getting made. A more interesting question is whether those films are going to get seen and appreciated.
Independent films have a certain freedom about them - there isn't so much at stake in terms of money. I think they're more interesting because they're not watered down to appeal to the masses. They tend to have a unique voice.
Cultivators of the earth are the most valuable citizens. They are the most vigorous, the most independent, the most virtuous and they are tied to their country and wedded to its liberty and interests by the most lasting bands.
I've made a number of independent films that didn't receive theatrical distribution, that a lot of people haven't heard of, and as a result, I've conditioned myself to go into small independent films with the expectation that they will not, and therefore, I have to find my reward elsewhere.
The films that excite me most tend to be the films that seem like voices that we haven't heard of before.
Sometimes the characters that I'm most resistant to are the ones that I find the most satisfying to play, because you have to dig deeper and you have to find different parts of yourself that are not necessarily the first thing you access and that's fun and interesting.
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