A Quote by Neve Campbell

My issue in the past with nudity was that these scenes had been written solely for box office draw. — © Neve Campbell
My issue in the past with nudity was that these scenes had been written solely for box office draw.
I've never been opposed to nudity. I've been opposed to nudity for box-office draw.
Nudity and sex scenes are two completely different things. Nudity you can kind of get used to, but not when there is movement and relating involved. The sex scenes are very uncomfortable because that's something to be protected, so you have a visceral reaction to not exploit that.
I was never apposed or sought out nudity, but it was necessary in the Where the Truth Lies. If they didn't have the nudity, but they still had the scenes - because sex is used as a power tool in this movie - I feel it would have felt self conscious and I think the scene is meant for you to feel uncomfortable.
Male nudity, full-frontal nudity, has always been considered a lot more taboo than female nudity. As far back as I can remember, there's been a double standard between men and women. I think it's time that men get equal time in terms of nudity.
I avoided nudity unless a film couldn't be told without those scenes. If you look at my films, few of them have that element, yet nudity and male fantasies have become emblematic of my work.
I avoided nudity unless a film couldnt be told without those scenes. If you look at my films, few of them have that element, yet nudity and male fantasies have become emblematic of my work.
Box office success has never meant anything. I couldn't get a film made if I paid for it myself. So I'm not 'box office' and never have been, and that's never entered into my kind of mind set.
I didn't know box office was a thing you could possess but I don't have it. I go up for lovely roles and people with this nebulous thing called box office get them so there isn't much I can do about that unless you know where I can get some box-office myself!
At times I do feel that there is some issue with child actors because in all my films my performance has been appreciated but the films have not created magic at the box office.
Success has nothing to do with box office as far as I'm concerned. Success has to do with achieving your goals, your internal goals, and growing as a person. It would have been nice to have been connected with a couple more box office hits, but in the long run, I don't think it makes you happier.
I'd seen how 'Green Book' had been a box-office hit, but left pianist Don Shirley's family feeling betrayed because his life and relationships had been distorted.
Martial arts just normally would not draw me to the box office.
I have no illusions of being the big box office draw. But I would like to have some choices.
Everyone thinks that Fight Club is a very important and successful film, but it was a massive box-office failure. Massive. It was a big flop by any commercial-release standard. And it's been a huge hit on DVD. Everything that movie has become has been on DVD. So you can't stake your sense of creative success on this whole box-office-performance matrix, because if you do, you're going to be disappointed most of the time.
Something's happened in our society which I don't think is beneficial, and that's that you see the public being fed box-office news. Newscasts now, every local station - I've been traveling around the country a lot, and you see the local news, and they give box-office reports.
The effort always remains that my new film outdoes my last in terms of performance and gets better box office success. Box office is the sole reason why I do films.
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