A Quote by Newt Gingrich
You can either be in the Ron Paul tradition and say there's nothing wrong with heroin and cocaine, or you can be in the tradition that says, 'These kind of addictive drugs are terrible; they deprive you of full citizenship, and they lead you to a dependency which is antithetical to being an American.'
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I never did heroin, because I thought that meant I was doing heavy drugs, which shows you the insanity of doing drugs. I probably should have done heroin, because I understand heroin actually makes you feel good. Cocaine just makes you stupid.
When they talk about family values, it's in a repressive way, as if our American tradition were only the Puritan tradition or the 19th century oppressive tradition. The Christian tradition.
Ron Paul warned everyone that the Patriot Act could be used against innocent American citizens. His critics said he was siding with terrorists. Now, either A. Ron Paul was right. Or B. All Verizon users are terrorists.
The value for me being in a mainline tradition is history and memory, which is not just Christian tradition but denominational tradition, and characters, you know, with real distinct flavors of ways to be Christian.
Well, I think I'm trying to be in the middle of two traditions, the French tradition, which is about being fair and staying close to reality, and the American tradition which is about making up a stylized universe, made of shapes and colors.
Christians got a lot of work to do. But, the spirit of Dorothy Day is alive. Martin Luther King is still alive. Malcolm X and the prophetic Islamic tradition is still alive. We can't lose sight of those prophetic religious folk who, even given their kin in the same tradition, says, you all are wrong on this, but we're still in the same tradition.
What is literary tradition? What is a classic? What is a canonical view of tradition? How are canons of accepted classics formed,and how are they unformed? I think that all these quite traditional questions can take one simplistic but still dialectical question as their summing up: do we choose tradition or does it choose us, and why is it necessary that a choosing take place, or a being chosen? What happens if one tries to write, or to teach, or to think, or even to read without the sense of a tradition? Why, nothing at all happens, just nothing.
In American tradition a certain kind of, I would say, desperate American friendliness in which the poet tries to reach out through the page to make a connection by the side of the road with some other person.
I believe in the American tradition of separation of church and state which is expressed in the First Amendment to the Constitution. By my office - and by personal conviction - I am sworn to uphold that tradition.
I learned a little of beauty - enough to know that it had nothing to do with truth - and I found, moreover, that there was no great literary tradition; there was only the tradition of the eventful death of every literary tradition.
I got addicted. News, particularly daily news, is more addictive than crack cocaine, more addictive than heroin, more addictive than cigarettes.
Those who feel guilty contemplating "betraying" the tradition they love by acknowledging their disapproval of elements within it should reflect on the fact that the very tradition to which they are so loyal—the "eternal" tradition introduced to them in their youth—is in fact the evolved product of many adjustments firmly but delicately made by earlier lovers of the same tradition.
If religion is the opiate of the people, tradition is an even more sinister analgesic, simply because it rarely appears sinister. If religion is a tight band, a throbbing vein, and a needle, tradition is a far homelier concoction: poppy seeds ground into tea; a sweet cocoa drink laced with cocaine; the kind of thing your grandmother might have made.
It's time to realise that tradition is fantastic but if because of tradition and only tradition you lose everyone it's less fantastic so you have to keep some tradition to this sport of course but you also have to live in your century.
As an American writer, the literary tradition that I draw on the most is the Anglo-American one, and when you are writing in this tradition, the Orientalizing Western gaze is something you have to constantly push against as well as compromise with.
I guess the big thing to say about 'Pig Farm' is that none of us knows if it works, and we're going in blind. It's in the tradition of 'Urinetown,' kind of - but that's a pretty small tradition. It's possible that it can fail.
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