A Quote by Newt Gingrich

I had a period of thinking that I would have been called 'Newt the McPherson,' as in 'Robert the Bruce.' — © Newt Gingrich
I had a period of thinking that I would have been called 'Newt the McPherson,' as in 'Robert the Bruce.'
I set out to be a cross between Lenny Bruce and Robert the Bruce.
I set out to be a cross between Lenny Bruce and Robert the Bruce - my main thrust was the body and its functions and malfunctions - the absurdity of the thing.
I've been called 'Bruce Lee.' I've been called other less offensive, but equally stupid and racist kind of terms.
Die Hard With A Vengeance shooting was a great time, because we had an interesting script. The first script was called Simon Says, and something was going on, because some days we'd get to work, but we wouldn't actually have dialogue. We would go to Bruce's Willis trailer, and they'd say, "Okay, you have to go from 168th Street to 97th Street today. We're going to do it in the cab, and Sam, you say this. Bruce, what do you want to say?" And that's how Bruce's "hey, Zeus!" thing came up.
In August 1994, I was invited to have dinner with House Minority Whip Newt Gingrich. At that time, I was a senior engineer working for Martin Marietta Astronautics in Denver, where I had been responsible for inventing a new plan called 'Mars Direct.'
I also met Charles McPherson around that time, end of high school. I was 17 and I had followed Phil around for a year and pestered him enough to finally give me saxophone lessons. So all of a sudden I've got Phil Woods and Charles McPherson around me.
The creative act always requires a stepping back. It's called the incubation period. The incubation period - one of the four phases of creativity - is when you're not consciously thinking of a problem, and you're letting it marinate. So this is why you hear time and again, people saying they had that "Eureka" moment in the bath, like Archimedes, or in the shower, or while going for a walk or in a coffeehouse.
Newt Gingrich is one of the brightest people in the Republican Party and he's always been a little unorthodox in his approach to politics, but that's what makes him Newt Gingrich.
I think music changed when Bruce Springstee came on the scene. I think if it wasn't for Bruce Springstee, music would have gone in a very scary direction. We may have gotten to where disco music ruled - and I would've had to quit.
October of 2011, Occupy protestors descended upon McPherson Square, and they decided to stay. Despite the clear language of the law, these protestors camped at McPherson Square with the definition of camping being sleeping or preparing to sleep.
You know I grew up on the Batman movies, and they had some terrific actors in, but you know a lot of the other ones - it wasn't always the case that you had people the caliber of Jeff Bridges or Robert Downey, so to kind of show up and work with Jeremy Renner or Robert or with Mark Ruffalo, any of them, Chris Evans, Chris Hemsworth, the caliber of people you're acting with, to me, is really fun. From the first day I started doing scenes with Robert, it's been one of the funnest experiences I've ever had.
I really like the interplay between thinking of text as ephemeral and thinking of it as a concrete, physical thing. With almost anything that I write, I'll stay completely immersed in the electronic text of it for a period of time and in another period, I'll stay immersed in it as a physical thing that can cut your skin. So with the apocalypses, I had them taped all over the wall and they had codes on them. Sometimes I would color code them in terms of thematic elements, sometimes in terms of voice, sometimes visual forms or images.
The other day, someone called me this generation's Bruce Dern - I'd never thought of that, and frankly, I don't know enough of Bruce Dern's work to comment on it, though he is an incredible actor.
Had my credentials been in order I would never have become a writer. Had I been blessed with even limited access to my own mind there would have been no reason to write. I write entirely to find out what I’m thinking, what I’m looking at, what I see and what it means. What I want and what I fear.
Many years ago in a period commonly know as Next Friday Afternoon, there lived a King who was very Gloomy on Tuesday mornings because he was so Sad thinking about how Unhappy he had been on Monday and how completely Mournful he would be on Wednesday.
Hearing Phil [wood] a lot, those few years especially when I was going to hear music and Tom Harrell was in the band. Man that was incredible. Hearing Tom at that period, and hearing Phil in that period, and also [Charles] McPherson. Those three guys were very impactful. Very inspiring to me at the time.
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