A Quote by Ngaio Marsh

Had I guessed the trouble my name was going to cause a lot of people on the other side of the world, I would have changed it to something easier when I began writing books. — © Ngaio Marsh
Had I guessed the trouble my name was going to cause a lot of people on the other side of the world, I would have changed it to something easier when I began writing books.
If I changed my name, everyone would have just known that I changed my name. If I had been anonymous, it would have felt pretentious. It would seem like I'm trying to dodge something. I love my family and have such respect for their work, for their career and talents, and I'm very proud to be connected with them.
I have a lot of friends and family that have suffered because of the church's judgment; my best friend in the world is gay. I felt a lot of people around me drawing lines in the sand, and that year I decided: I don't want to draw lines and have to be on one side or the other, but if someone's going to push me to one or the other side of the line, I'm going to stand on the side of those being judged because that's where I feel Jesus meets people.
About what mainly constituted what you ask, it was something other. It was just a certain inclination to meet people. And as far as possible, to change something in the other, but also to let me be changed by him. At any event, I had no resistance, I put no resistance to it. I already began as a young man. I felt I have not the right to want to change another if I am not open to be changed by him as far as it is legitimate.
It was a bit unimaginable when I began that I'd ever get to 25 books. But it was also unimaginable how much crime-writing would have changed.
We had absolutely no experience in writing kids books and its a very competitive market. But we buy and read a lot of children's books and we felt that our books had that extra something we were always looking for.
A lot changed the moment I had kids; I had no idea of the perspective it would give me. It made making the right decisions a lot easier.
Parker wasn't supposed to be a series. He was supposed to be one book, and if he was only going to be in one book, I didn't worry about it. And then an editor at Pocket Books said "Write more books about him." So I didn't go back at that point and give him a first name. If I'd known he would've been a series, I would've done two things differently. First, I would've given him a first name because that means for 27 books, I've had to find some other way to say, "Parker parked the car."
And I began to tell little anecdotes that had happened to me, and people would laugh. And I began to like that, you know. But I knew that, 'cause I'd do that in school, but I wouldn't do it out there in front of all them people.
Writing your name can lead to writing sentences. And the next thing you'll be doing is writing paragraphs, and then books. And then you'll be in as much trouble as I am!
I'm having so much trouble with writing. Maybe if I help other people, it'll be easier for me.
We're going to have plenty of work to do, but it's going to be a lot easier than here. There'll be no sorrow, no sickness, no pain, no weariness, no death, no more tears, no more crying. That's certainly going to make things easier. We're going to have rest in Heaven compared to what we've had in this life, but we're also going to have something to do. We'd eventually be unhappy if we didn't!
All I had when I began writing the first book was rather vague images conjured up by the notion of a man in a kilt, so essentially I began with Jamie, although I had no idea what his name was at the time.
Women's sexuality is something that is a very touchy subject for a lot of women...I had to free my body from all of the binding, all the shutting down, and all of the censorship I had already put on it. When I did that, everything in my life changed. My relationship with my husband changed. My relationship to the world changed. My relationship to my body changed. My relationship to my female friends changed in huge ways.
I began writing and became attached to writing at an early age. I began by writing poetry and experimenting with dialogues: modest plays, in other words. I also used to describe at great length the way people in the area lived.
You learn so much with each book, but it's what you teach yourself by writing your own books and by reading good books written by other people - that's the key. You don't want to worry too much about other people's responses to your work, not during the writing and not after. You just need to read and write, and keep going.
In my twenties, it was so important for me to show people I had all these other books and these other sorts of writing in me, .. A lot of authors, if their first book is a success, they're terrified to write a second one. But in my case, since the first book wasn't considered a literary book, I was really determined to show people I could do other types of writing.
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