A Quote by Ngugi wa Thiong'o
If a novel is written in a certain language with certain characters from a particular community and the story is very good or illuminating, then that work is translated into the language of another community - then they begin to see through their language that the problems described there are the same as the problems they are having. They can identify with characters from another language group.
Related Quotes
The earliest language was body language and, since this language is the language of questions, if we limit the questions, and if we only pay attention to or place values on spoken or written language, then we are ruling out a large area of human language.
I had never thought about what it might mean to be deaf, to be deprived of language, or to have a remarkable language (and community and culture) of one’s own. Up to this point, I had mostly thought and written about the problems of individuals–here I was to encounter an entire community.
Learn a language of another country and then you can go to that country: a place where the problems of your family will not follow. A language they do not speak.
The advantage of the gypsy language, even though I don't understand it that much, the language is perfect melody. So if you propose the movie the way I do, then the language is just one part of the melody. Orchestrating all inside, and the language is following the meaning of what they say, and it's never the same as written.
We switch to another language-- not our invented language or the language we've learned from our lives. As we walk further up the mountain, we speak the language of silence. This language gives us time to think and move. We can be here and elsewhere at the same time.
We believe we can also show that words do not have exactly the same psychic "weight" depending on whether they belong to the language of reverie or to the language of daylight life-to rested language or language under surveillance-to the language of natural poetry or to the language hammered out by authoritarian prosodies.
UG [universal grammar] may be regarded as a characterization of the genetically determined language faculty. One may think of thisfaculty as a 'language acquisition device,' an innate component of the human mind that yields a particular language through interaction with present experience, a device that converts experience into a system of knowledge attained: knowledge of one or another language.
Language is possible due to a number of cognitive and physical characteristics that are unique to humans but none of which that are unique to language. Coming together they make language possible. But the fundamental building block of language is community.
Language and written language are the only real way we have to see inside another person's thoughts and to know what makes another person human. Without writing, we just wouldn't have that kind of access.
The language in a comic book or a graphic novel and the cinematographic language are really not the same language. They are false brother and sister. It's not at all the same.
It is the task of the translator to release in his own language that pure language that is under the spell of another, to liberate the language imprisoned in a work in his re-creation of that work.
A language is not just words. It's a culture, a tradition, a unification of a community, a whole history that creates what a community is. It's all embodied in a language.
Language [can] be expressed . . . by movements of the hands and face just as well as by the small, sound-generating movements of the throat and mouth. Then the first criterion for language that I had learned as a student—it is spoken and heard—was wrong; and, more important, language did not depend on our ability to speak and hear but must be a more abstract capacity of the brain. It was the brain that had language, and if that capacity was blocked in one channel, it would emerge through another.
Unlike the issue of messiahhood, which arose when Jews and Christians were members of the same religio-political community and spoke the same conceptual language, the issues of the incarnation and the Trinity divide people who are no longer members of the same community and who no longer speak the same language.
Theater is about language, so characters have to define themselves through language for an audience.
English language is the most universal language in history, way more than the Latin of Julius Caesar. Its the most punderful language because its vocabulary has a certain critical mass that makes a lingo good for punning.
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