A Quote by Nguyen Qui Duc

Saigon, U.S.A. aptly documents the birth of a new American community, uprooted in the aftermath of war and forever torn apart by the wounds of the past, yet one capable of healing against all odds. An engrossing yet succinct film that captures not only a major incident in Vietnamese American life, but also an important chapter of American history. A profound film that manages to confront us with the deepest sorrow while allowing us to be hopeful about what it means to be human.
A British director directed 'American Beauty,' an important film about American life, and it didn't matter. What only mattered was everyone's sensibility.
'American Sniper' is a film that erases history, spectacularizes violence, and reduces war and its aftermath to cheap entertainment, with an underexplained referent to the mental problems many vets live with when they return home from the war.
I did not want 'Battleship' to be perceived as an American war film. I wanted to do everything I could to make the film accessible to a global audience. It felt like bringing an alien component to the film would help take the American jingoism out of it.
I'm from a Lebanese-American family. And I've been had lot of contacts and - with Arab-American community, especially Arab-American filmmakers and actors and so forth. It's a community that, a minority that really hasn't been heard from enough. And so many of the stories that are told about Arab-Americans these days are just negative portrayals in the news, but also in television and film. So we're - we set out to try and offset some of those stereotypes.
My favourite film-maker west of the English Channel is not English - but to me doesn't seem American either - David Lynch - a curious American-European film-maker. He has - against odds - achieved what we want to achieve here. He takes great risks with a strong personal voice and adequate funds and space to exercise it. I thought Blue Velvet was a masterpiece.
The 'American Families Plan' is not about helping American families, it is about redefining what it means to be an American family - allowing for big government to infiltrate Alabamians homes and daily lives.
I've made the film 'The Good, the Bad, the Weird,' which was an Eastern Western film. Obviously, the Western film is American and American only; there's really no Western genre over in Asia.
If Mother Culture were to give an account of human history using these terms, it would go something like this: ' The Leavers were chapter one of human history -- a long and uneventful chapter. Their chapter of human history ended about ten thousand years ago with the birth of agriculture in the Near East. This event marked the beginning of chapter two, the chapter of the Takers. It's true there are still Leavers living in the world, but these are anachronisms, fossils -- people living in the past, people who just don't realize that their chapter of human history is over. '
It is important for us to remember that black people have been patriotic and have fought for that American dream in every American war.
Every time I make an American film I just trust the American director and American writer. Myself, I would never make this kind of film. For me, those kinds of films are ridiculous. They don't make sense.
If you think about portraying Americans, for example, in a Russian film, it all depends on where the American is from, if they went to school or not, and if they're well-educated or not. Is it an American from Texas, or an American from Brooklyn? Things would change with the vocabulary and the accent.
American politicians who dwell on American exceptionalism only dishonor us by suggesting we play dumb to our past.
It is a cultural tradition that makes New Orleans what it is. It also represents the roots of American music and an important part of the African-American community in New Orleans. It unites people in some of the poorer neighborhoods of the city. It is absolutely critical to continue.
Every time I make American film I just trust American directors and American writers.
We've never had to confront a really nationalistic American government since the War of 1812. But if it ever happened, it would be trouble for us. Such a government would be prepared to use trade as a club in dealing with us - one of many, if it decided to take American power out for a walk around the block. I don't mean military occupation or anything like that, but a desire for unquestioning adherence to whatever the nostrum of the day happened to be. That's rather scary. We've never had to deal with an American president who was completely a wing-nut.
We, the American people, owe the nation's police officers our deepest gratitude, our best efforts, and our strong support, for they have done so much for us against such great odds.
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