A Quote by Nguyen Viet Thang

My identity is deeply intertwined with being a refugee because that's the first experience that I remember. — © Nguyen Viet Thang
My identity is deeply intertwined with being a refugee because that's the first experience that I remember.
'I Met You When I Was 18' is a collection of songs, a story about moving to New York City when I was 18 and falling in love for the first time. A story about trying to figure out your own identity whilst being deeply intertwined with someone else's.
Once a refugee, always a refugee. I can't ever remember not being all right wherever I was, but you don't give your whole allegiance to a place or want to be entirely identified with the society you're living in.
I remember, when I lived in a refugee camp, it was the people who weren't Somali, the people who came from Western countries, who helped the most. I remember being six and thinking, 'I want to be one of those women,' because I knew how much they helped us.
Everybody says the first cut if the deepest. It's so true. I don't know if it's because it's the best love, but it's the first that you remember. There is one boy that I will remember for the rest of my life, and I wouldn't go as far as to say, 'Oh I was in love with him and he broke my heart'. You hold on to that, just that first experience, it's good to have and you should appreciate it, even if it hurts.
I oftentimes receive the question, "What do you think is the most important social issue to focus on?" Or, "What's the most important component of identity? Is it gay rights or race or feminism?" And I'm like, "Well, they're all intertwined. It's all one conversation at the end of the day. You can't just pick one." I mean, people experience all kinds of prejudice because of all different parts of themselves. And that doesn't make one part more important than the other.
Whoever hired me might've just heard 'Refugee.' Well, I'm not the secret to 'Refugee.' The secret to 'Refugee' is the song. But if somebody really good calls me up to play on something because they like the way I played on 'Refugee,' then I wind up playing on another really good song.
A cruel joke has been played on us. We are fated always to remember what we learned but never to recall the experiences that taught us. Who can remember being born? Yet, it is possible to speculate that anxiety has its roots in this experience, that dread of abandonment, fears of separation, intolerable loneliness go back to this moment. Who can remember being cared for as an infant? ... Who can remember being toilet-trained? ... Who can remember the attachment which developed to the parent of the opposite sex? ... We cannot remember but what we have forgotten lives on dynamically.
Society imposes an identity on you because of the way you look. Your struggle as a self has to do with an identity being imposed on you that you know is not your identity.
For the left-leaning, political identity is liable to be closely intertwined with personal identity. The left is collusive, if not presumptuous: should you get on well with leftists at a party, they will blithely assume that you share the same views on the invasion of Iraq, even if all you've talked about is the canapes.
Probably my first memory of theatre, the first one I guess that had an impact on me was when I saw my very first panto with my Primary School. I think just going there and experience that for the first time, being so young, it's something that's actually stuck with me right up until now. And to think back and to sort of remember that magic and that first little hint of it was brilliant.
While being a parent has been the most fulfilling experience of my life, it comes with a price. Besides the onslaught of worries and fears that can be paralyzing, more personally there is a struggle with identity, or the fear of loss or usurpsion of identity, if that makes sense.
I don't believe anyone can go through the prison experience without being changed by it. The experience becomes part of your identity forever.
Most Southerners recognize when a story about their own experience feels off-kilter or offensive. But Southerners are also fascinated by the way their region is presented in popular culture. It is exciting to see how filmmakers take great care to present worlds in which race, region, and food are deeply intertwined.
If a Cuban refugee is escaping, we're saying they're a political refugee, but why isn't a Haitian refugee a political refugee? They're escaping the capitalism and degradation of economic imperialism. We don't call them political refugees; we call them unfortunate people.
The thing that keeps me being a performer is my interest in society's obsession with identity, because I'm not sure that I really believe identity exists.
My being Muslim is only one part of my identity. But particularly in India and the world over, a concerted effort is being made to diminish all other aspects of identity and only take your religious identity as who you are.
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