A Quote by Nhat Hanh
There is a time for everything. There is a time when I sit down, I concentrate myself on the problem of my bills, but I would not worry before that. One thing at a time.
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Books are up against TV and movies and video games and a multimedia society that is so busy that people don't have contemplative time any more. I worry deeply about this. In fact, I worry about everything all the time. I used to be a punk. All I wanted to do was tear everything down, and that was so much easier.
Time heals everything. Time corrects everything. Time is the solution to every problem, I believe. A lot of things can happen with time. All that has to be there is the intention.
Consider the word “time.” We use so many phrases with it. Pass time. Waste time. Kill time. Lose time. In good time. About time. Take your time. Save time. A long time. Right on time. Out of time. Mind the time. Be on time. Spare time. Keep time. Stall for time. There are as many expressions with “time” as there are minutes in a day. But once, there was no word for it at all. Because no one was counting. Then Dor began. And everything changed.
Even when I had a run of successful prime-time shows, I couldn't sit down and enjoy my success. I would beat myself up and scrutinise everything. I'm a natural-born worrier.
I have to have a little bit of time to myself right before whatever it is that I have to do because most of the time I'm sitting in my head convincing myself to calm down, all right, show down.
We name time when we say: every thing has its time. This means: everything which actually is, every being comes and goes at the right time and remains for a time during the time allotted to it. Every thing has its time.
Some of the best auditions I've ever had have been when my agent called and said, "They want you 20 minutes ago, in an office in Century City, to see you for something." It's actually sometimes a really good thing. I don't have time to second-guess myself, I don't have time to overthink things, and I don't have time to get bogged down in stuff. I'm not sitting there thinking for a week and a half, before I'm supposed to go in front of a network president to do something. That just gives you time to be nervous.
We're quite fortunate on 'The Chase,' we get to sit very still and you can concentrate on one thing at one time - the questions.
Oh, how few find time for prayer! There is time for everything else, time to sleep and time to eat, time to read the newspaper and the novel, time to visit friends, time for everything else under the sun, but-no time for prayer, the most important of all things, the one great essential!
If I was a little bit younger I would worry more. I'd want to do one thing at a time but now I try to do a bunch of different things at a time if I can.
What I really like to do is to sit quietly and write. All that other stuff is a problem. Publication to reception to negotiation to... everything, it's a problem. And I like to sit outside for long periods of time and just be in the tranquility of nature. That's what I like.
No such thing as spare time, no such thing as free time, no such thing as down time. All you got is life time. Go.
Well the artists that inspire me were, first of all I would say Sam Cooke, Otis Redding, John Holt, Alton Ellis, Errol Dunkley, Delroy Wilson and Dennis Brown you know. They have unique voice and sweet melody and you know, good lyrics those time yeh. The music was very nice in that time still seen, because you find that even the musical part, the musicians concentrate more on the melody than everything, more than how they concentrate on the money that time you Know
You can do only one thing at a time. I simply tackle one problem and concentrate all efforts on what I am doing at the moment.
When Eric Clapton cut 'After Midnight,' he sold so many records and it was so big at the time, I decided that I would pursue the songwriting thing. I was 34 years old at that time. I'd been down the pike and back before I had any success at all.
As I get older I find myself thinking about stories more and more before I work so that by the time I eventually sit down to write them, I know more or less how it's going to look, start or feel. Once I do actually set pencil to paper, though, everything changes and I end up erasing, redrawing and rewriting more than I keep. Once a picture is on the page I think of about ten things that never would have occurred to me otherwise. Then when I think of the strip at other odd times during the day, it's a completely different thing than it was before I started.
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