A Quote by Nhat Hanh
Each time you look at a tangerine, you can see deeply into it. You can see everything in the universe in one tangerine. When you peel it and smell it, it’s wonderful. You can take your time eating a tangerine and be very happy.
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A good portion of my work with Tangerine Dream at the time involved film music, and I remember approaching it as any 23-year-old would - without much fear or respect. Also, Tangerine Dream was typically asked to deliver a monochromatic kind of score, the electronic-analog trademark sound that TD had become famous for following landmark films such as Sorcerer [Universal, 1977], Thief [MGM, 1981], and Risky Business [Warner Brothers, 1983].
World is crazier and more of it than we think, Incorrigibly plural. I peel and portion A tangerine and spit the pips and feel The drunkenness of things being various.
Sophisticated but at the same time dramatic and seductive, Tangerine Tango is an orange with a lot of depth to it.
'Tangerine' taught me that if you win an audience over with comedy, then hopefully have a soulful message at the same time.
I was always interested in mixing experimentation with pop music, and Brian Eno, Kraftwerk, Tangerine Dream - we were all doing it at the same time, just very isolated from each other, all in our different cellars, in different worlds, without the Internet - underground in every sense.
Bands like Kraftwerk and Tangerine Dream, who I respect, have a very robotic, dehumanised approach. They're almost an apology for machines. It's very German.
'Tangerine' was less than half the budget of 'Starlet,' and 'Starlet' was already a microbudget film. A director always wants more time, and we had a limited amount of resources.
I think you can make a gorgeous movie on any piece of equipment. Look at 'Tangerine,' which is a beautiful movie shot on an iPhone. You see so many movies that are impeccably shot but are vapid, and there's no audience for that except for other cinematographers who just like to watch two-hour-long music videos.
The magic of purpose and of love in its purest form. Not televison love, with its glare and hollow and sequined glint; not sex and allure, all high shoes and high drama, everything both too small and in too much excess, but just love. Love like rain, like the smell of a tangerine, like a surprise found in your pocket.
I heard the new film, 'Tangerine,' was filmed entirely on iPhones. No cameras were involved!
A lot of the LGBTQ community accepted 'Tangerine,' which was something we worked really hard to achieve.
I know that 'Tangerine' is getting a lot of attention for pushing the iFilm, but I am really mourning the death of celluloid.
I make dramedies, but 'Tangerine' really has a lot of comedy, and I saw that it had a great effect - it reached a larger audience.
The iPhone always has a different look from model to model - 'Tangerine' is quite smooth, but that was the 5s. I was using the iPhone 6s Plus for 'The Florida Project,' and it has what's called a rolling shutter, and it gave it this hyperactivity and a very different, jarring feel, and we liked that.
I think with 'Tangerine' we were taking that gamble - it was a risk - that we could tell the story in a comedic fashion to attract an audience and shed light on an issue.
'Tangerine' being my fifth film, I was out of favors. I couldn't afford to get the Arri Alexa or RED cameras and I definitely couldn't shoot on film.
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