A Quote by Nia Long

I'm a self-made woman. I've never compromised myself. — © Nia Long
I'm a self-made woman. I've never compromised myself.
I never compromised myself musically.
I've never made any choice or done anything that wasn't what I think it should be. I've never compromised, but I do listen.
From quite early on, I had this idea of compartmentalized identities - 'this is how you are when you are with your mum, and this is how you are when you are with your dad' - so it seemed like I could never absolutely be myself. And the image of myself as compromised and inconsistent made me want to withdraw from the world even further. I had a sense of formulating a paper-mache version of myself to send out in the world, while I sat controlling it remotely from some smug suburban barracks.
We have so little control as actors, but there are ways you can maintain your integrity. I have to say I've never compromised myself in this career once. I've never done something I didn't believe in.
I would hear stories about Steve Jobs and feel like he was at 100 percent exactly what he wanted to do, but I'm sure even a Steve Jobs has compromised. Even a Rick Owens has compromised. You know, even a Kanye West has compromised. Sometimes you don't even know when you're being compromised till after the fact, and that's what you regret.
[A politician is] a person skilled in the art of compromise. Usually an elected official who has compromised to get nominated, compromised to get elected, and compromised repeatedly to stay in office.
When I went back home, I was constantly being reminded, I'm an African woman, and so there are certain things I shouldn't do, certain ambitions that I should not entertain. That was a problem for me because I had never thought of myself as an African woman, never thought of myself as a woman to begin with. For me the limit was my capacity, my capability.
self-sacrifice is one of a woman's seven deadly sins (along with self-abuse, self-loathing, self-deception, self-pity, self-serving, and self-immolation).
I've never made R&B. I've never made gospel. I've never made hip-hop - I don't think I'm going to, but I just want to keep challenging myself.
I never compromised my integrity by playing a character. I didn't tweet anybody something crazy. I was just myself, kept winning and stayed ready. I didn't sell my soul.
I'm a failure as a woman. My men expect so much of me, because of the image they've made of me- and that I've made of myself- as a sex symbol. They expect bells to ring and whistles to whistle, but my anatomy is the same as any other woman's and I can't live up to it.
I don't carry myself as a black person but as a woman that belongs to everybody. After all, it's the general public that made me - not any one particular group. So I don't think of myself as belonging to any particular group and never have.
We try and stay out of the corporate side of it. The band has never compromised. At some point in our career we could have made a certain type of record and sold millions of units, as they are called.
In my world, a woman was the most powerful thing that I knew. Still is. A woman made the money in my house; a woman made my food. A woman beat my ass when I wasn't a good kid. Women were behind a lot of what spurred South Africa toward democracy.
When one crosses over from an activity, or the verb, of writing or doing, and becomes a noun, like "a writer" I think that is an act of supreme self-consciousness that I've never, in effect, made. I write, but I don't like to think of myself as a writer. I think it's somewhat self-aggrandizing and pretentious. Now, I am a teacher.
Bathsheba loved Troy in the way that only self-reliant women love when they abandon their self-reliance. When a strong woman recklessly throws away her strength she is worse than a weak woman who has never any strength to throw away. One source of her inadequacy is the novelty of the occasion. She has never had practice in making the best of such a condition. Weakness is doubly weak by being new.
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