A Quote by Nia Sharma

If someone makes a supernatural-themed show, and it becomes the best show, you are only making money and becoming famous. You are not learning anything from it. It's pure entertainment, even if the content is regressive.
My most famous show is the 'Kitchen Show.' More famous than any gallery show or museum show I curated.
Every wrestling show is now designed to be the greatest show ever. In contrast, the NWA show is different. It didn't tire people out to watch, something was allowed to register. It is the exact antithesis of planned, big budget, choreographed, scripted sports entertainment, and that is what makes the show so different.
Friends are hard to come by in L.A., especially in the entertainment industry. I've known a lot of people who hang out with someone because they're working on a show, and as soon as that show gets canceled, they find someone new.
Show me someone content with mediocrity and I'll show you someone destined for failure.
I didn't even know what Chikara was... So I show up at the show, and I'm expecting a normal wrestling show... there's like a f#%ing dude in a dinosaur outfit walking around, and there was a stipulaton that someone would be sent back in time... Not that I disliked it or anything, I was just like, what the hell is going on.
When you know that you have to flirt with someone, when you have a date or that you're looking for someone to love or for someone to love you back, you always try to show something better than yourself. Because you want to show off, obviously, you want to show the best side of you. Instead, when you have nothing to lose, you're just yourself. And maybe this is the best part, when another person can fall in love with you.
If we continue to treat content as an extra to information architecture, to content management or to anything else, we miss a bright opportunity to influence users. Content is not a nice-to-have extra. Content is a star of the user experience show. Let’s make content shine.
I had a great time working on 'The Gates,' and that was my first real experience doing supernatural television, working with the special effects and everything that goes into making a supernatural show.
I come from L.A. where there's a sense of show. But that's not a bad word in my mind. We say art 'show,' don't we? 'Show' implies entertainment.
A show isn't just a show, a show is entertainment; it's modeling, acting, singing and dancing all ripped into one, with the little time that we have to do it.
When we are on the road, we do a real horror show - and it's pure entertainment. That's it.
More than ever, movies reveal themselves as healing, as helpful, as encouraging, as escapist - anything that makes someone get through their day in these times. It's the best form of entertainment, and it's still arguably the most inexpensive form of entertainment.
In loving someone, you worship them like a deity and it hurts, a lot, to the point that in trying to show love and show tribute to someone you're stretching and reaching. It becomes an unhealthy worship and you'll bow out unfaithfully in the end.
If Portland can truly have a true comics show that doesn't become a media show but retains its focus on comics, I think it's going to serve the city well. If this becomes a big show, it's going to bring in a lot of money for the city.
I think there's something about supernatural shows that people see and just want to put me in them! I don't know. I just finished another show - 'The Nine Lives of Chloe King,' with Skyler Samuels, who was my girlfriend in 'The Gates' - and I play another supernatural character on that show.
I loved making Pure Country. It was a great learning experience for me, seeing another part of the entertainment industry.
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