A Quote by Nia Vardalos
I did go through a bit of a dark time during the years I was trying to be a mom. But I'm basically a very positive person.
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I go back to things all the time. It's really nice, too, like when I'm going through some kind of a writer's block, and I'm feeling uninspired, I go to some of my oldest songs from over the years and sift through them, and one thing that's very nice is to see how I've grown up a little bit. A little bit.
My mom was practically in the vice principal's office all the time! Now I really feel sorry that my mom had to go through such embarrassment, but I was never a harmful person.
I think that from 15 to, like, 18, I went through a very rough time. Something basically everyone goes through in those years - not knowing what you're going to do.
It really was something, to see Ram Bahadur Bomjon, apparently living without food or water. Before I went on that trip I'd asked advice on it from a very wise person who I love and revere - basically trying to see if I was somehow disrespecting Buddhism by trying to write about it, and also looking for some grounding on what stance to take ... and my friend said, "Well, why don't you just go and see?" And I hear that in my head all the time now: "Why don't you go and see?"
I had to go on without my mother, even though I was suffering terribly, grieving her. My whole life sort of ended when my mom died. I had to remake it again and be a new person in the world without my mom. It was a very primal rebirth, that time after my mom died.
I was a full-time mom for seven years. You go back on tour, you're back in hotels, you're ordering room service, and you're getting an itinerary slipped under your door every,day. You're kind of thinking, 'Did I go home for seven years, or was that just a dream?'
Maybe in writing about and through trauma it was therapeutic in a way, but it didn't feel like it at the time. I was in a very dark place, in lots of foreign cities, far from New York. A lot of personal trials and tribulations took over my life in those years. It might be some time before I see what therapeutic function this book did serve. But for now, it's not even easy to read from it.
The first seven years of my life, me, my mom and dad and my four older siblings lived in a suburb of Stockholm, and my mom was very active with directing theater. So I basically grew up at the theater on the floors of the shows, so I was really surrounded with music at a young age.
Actually William wasn't there for quite a bit of the time initially, he wasn't there for Freshers Week, so it did take a bit of time for us to get to know each other but we did become very close friends from quite early.
I was generally pro-bat, except when I was trekking through the dark trying not to think about the dire fate of every horror movie character stupid enough to go into the dark with a flashlight and check the fuses.
For me, being tall was very positive because I thought my mom was the most beautiful person ever.
I did not have a normal life. I'd be training when my sister would be at birthday parties and sleepovers. I finished high school by correspondence, basically working two full-time jobs. The last years were very, very tough. But I was willing to do that. It's all about sacrifice.
Finland is dark and grey, but I'm a very happy, colorful, positive person - and I feel like Eurovision is all about that.
A whole lot of us go through life assuming that we are basically right, basically all the time, about basically everything: about our political and intellectual convictions, our religious and moral beliefs, our assessments of other people, our memories, our grasp of facts. As absurd as it sounds when we stop to think about it, our steady state seems to be one of unconsciously assuming that we are very close to omniscient.
In '82 and '83, that was the rise of the VCR. Every Friday, my brother and I would go to Crazy Eddie's - which was a video store in Manhattan - and rent five horror movies. And that's basically what we did, basically, for three years. Becoming social misfits.
Finding the form was really a very dynamic process. I went through a lot of shifting, trying to get it right. Because the writing took place over such a long time, it's hard for me to pinpoint when specific things happened, but basically the final version only materialized in the last two or so years. It was there, but it took me a while to see it and then to refine it after I'd seen it.
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