A Quote by Nia Vardalos
The media was always so focused on the money a movie makes. But I was in Times Square, and a bunch of Japanese tourists looked at me and started shouting, 'Toula!' I loved it. It's these tiny moments of connection that register with me the most and always have.
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I've always just felt like an outsider. I've always been made fun of in school ever since kindergarten. For me, when I started singing, that's when I started making "friends,". That's when people started taking an interest in me. That was the thing that made me likable, I guess. Maybe even lovable! I think that's really why I'm so hellbent on doing this as a career is because those are the moments where I felt at my most confident.
I just loved him and he loved me... He was a most humble man, the most decent man I've ever met in my life and he always looked for the best in people to find positives and he said something to me that always remained with me. He said if you believe in the fatherhood of God you must necessarily believe in the brotherhood of man, it follows necessarily and even though I left the church and was not religious, that truth remained with me.
I did a Coca-Cola commercial when I was about two and a half years old, and then me and my family were extras in a bunch of Westerns. I loved dressing up and stepping into this imaginary world, and it was fun to get outside of my tiny little town with a bunch of movie weirdos.
But in the back of my mind I've always looked to the biggest-scale Hollywood movies. Because to me the most satisfying experience is of watching a movie, if it's done really well. And so that aspiration is always it for me, if I have the opportunity to do it.
When I was on Broadway when I was little, I remember always driving through Times Square with my dad to the theater. Now when I go back, you can't even drive on Broadway in the 40s. New Times Square is too touristy to me.
America, to me, should be shouting all the time, a bunch of shouting voices, most of them wrong, some of them nuts, but please, not just one droning glamourous reasonable voice.
It's so nice to run into people even now who - if I'm out, a couple of times a week, somebody comes up to me and says, 'I just loved you in '50 First Dates.' That movie is my favorite movie. I just watched it last night.' In my head, I'm always thinking, 'You're kidding me. I never watch anything twice.'
I always loved silent movies. I was not a specialist, but I loved them. And when I started directing, I became really fascinated by the format - how it works, the device of the silent movie. It's not the same form of expression as a talkie. The lack of sounds makes you participate in the storytelling
I always loved silent movies. I was not a specialist, but I loved them. And when I started directing, I became really fascinated by the format - how it works, the device of the silent movie. It's not the same form of expression as a talkie. The lack of sounds makes you participate in the storytelling.
I tried many, many times to run away while my little brother was asleep. But at those moments, I always ended up thinking this-- My brother has only me in this world. Vince wants only me and needs only me. However... when he is gone, will there really be anyone else who needs me? When I thought about that, it scared me. It truly scared me. Cowardly, I could do nothing but hold my brother's tiny body while hiding my ugly emotions.
I always loved watching movies because I loved what certain moments inside of films did to me.
I've been thinking a lot about why it was so important to me to do The Idiot as a novel, and not a memoir. One reason is the great love of novels that I keep droning on about. I've always loved reading novels. I've wanted to write novels since I was little. I started my first novel when I was seven.I don't have the same connection to memoir or nonfiction or essays. Writing nonfiction makes me feel a little bit as if I'm producing a product I don't consume - it's a really alienating feeling.
I always loved that tragic look, the bigger-than-life women. They always have those big glasses and scarfs on, and doctors and nurses always around them. You felt sorry for them, but they had their lips together, no matter what was happening to them. They always looked like movie stars.
To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money. Money, money everywhere and still not enough! And then no money, or a little money, or less money, or more money but money always money. and if you have money, or you don't have money, it is the money that counts, and money makes money, but what makes money make money?
When I was a kid, the punishment I disliked the most was writing sentences. My mother loved to make me record my transgressions--always a minimum of five hundred times--and she even bought special spiral notebooks for me to fill up.... No matter how many notebooks I went through, there was always another one waiting in the kitchen drawer.
My fans love what I do. That's what makes me love what I do. I don't do it for myself. I don't do it for money. I really don't. I've turned down money. People know that. When my fans tell me, "Yo, that movie was dope!" it makes me want me to do more movies.
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