A Quote by Nia Vardalos

When I used to do musical theatre, my dad refused to come backstage. He never wanted to see the props up close or the sets up close. He didn't want to see the magic. — © Nia Vardalos
When I used to do musical theatre, my dad refused to come backstage. He never wanted to see the props up close or the sets up close. He didn't want to see the magic.
I grew up on movie sets, getting to see storytelling happen up close.
If film making is magic, there's a difference between close up magic and David Copperfield. If you're doing close up magic, which independent filmmakers do, it is a very delicate craft, interpersonal relationship, and being able to enrapture a very small audience.
There are two kinds of theatre, good and bad. Much as I should like to see theatre in America, I would rather have no theatre than bad theatre. What we must strive for is perfection and come as close to it as is humanly possible.
I think I see the difference now, between loving someone from afar and loving someone up close. When you see them up close, you see the real them, but they also get to see the real you.
Most of the telly I do only has one camera and the reason you have to cook it twice is you have a close-up, so you see what is happening really close up and then you have a wide shot, which is like standing back so you see the whole fish and the kitchen and, like it or not, you have to do it twice.
Let's pretend for just one moment that could actually happen. You close your eyes and I'll close mine and let's dream the same dream across the Atlantic, lighting up the darkness between us. Can you see it, Stu? Can you see us up there, shining in all the black?
Whether it's animated, whether it's live-action, whether it's Broadway, whether it's television, a musical is a musical is a musical. So, pretty much you approach the songs in pretty much the same way. The difference might be that in a film you have a close up. On stage you don't. So there are more songs on the stage because the songs are kind of the close up.
I've been doing magic since I was five years old, and when I was trying to get acting gigs, I found I could make a good living at it. It's great to kind of shake the cobwebs off and get the feeling of a live audience again. I love close-up magic, the card stuff, the coin stuff, the really up-close David Blaine stuff.
I always thought my days spent in darkness [as a child she had cataracts and was unable to see for nearly four years] gave me a very special sensitivity. Much later, when I really wanted to hear, really 'see' a song, I'd close my eyes, and when I wanted to bring it out of the very depths of myself, out of my guts, out of my belly, when the song had to come from far away, I'd close my eyes.
I don't mind close-ups, I like them, but they're kind of forceful - you see a lot, you get a lot of information in a close-up. There's less mystery.
You have to learn to express differently. Whenever I do TV or film, I ask if I can see the shot to see, to see if it's full body or a close-up. That helps me understand how to communicate.
...I always feel it's necessary to look at my images from two distances. Here is my criterion: If I can look at it from a distance and then come up close but find nothing more to see, it's printed too large. It's not giving me any new information when I come up to it.
I never got along with my dad. Kids used to come up to me and say, 'My dad can beat up your dad.' I'd say 'Yeah? When?'
The great part of appearing on game shows is that when you answer a question the camera takes a close-up of you every time. You get more close-ups than in a movie, and that's terrific for audience identification. The people have to see you to like you.
When you see something from afar, you develop a fantasy. But when you see it up close, 9 times out of 10, you wish you hadn't.
I am very close to my brother Ramesh Babu. When my father was away for shootings, my brother would take care of me, and I am very close to him, and yes, Dad's always special. He used to call me and enquire about my film's progress. Whenever I deliver a hit, I can see a glow on my father's face.
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