The English and Americans dislike only some Irish--the same Irish that the Irish themselves detest, Irish writers--the ones that think.
I think anybody who really knows me knows I'm not a media hound and knows that I'm really sort of trying to do the best I can with the situation that I found myself in.
It is sufficient to say, what everybody knows to be true, that the Irish population is Catholic, and that the Protestants, whether of the Episcopalian or Presbyterian Church, or of both united, are a small minority of the Irish people.
Everything that we inherit, the rain, the skies, the speech, and anybody who works in the English language in Ireland knows that there's the dead ghost of Gaelic in the language we use and listen to and that those things will reflect our Irish identity.
When Coach Mike Brey at Notre Dame was recruiting me, he was like, 'There will be Irish on the front of the jersey; and Irish on the back of the jersey.' But no one actually knows I am a citizen over there.
All my family look Irish. They act Irish. My sister even has red hair... it's crazy. I'm the one that doesn't seem Irish. None of the kids in my family, my siblings, speak with an Irish accent... we've never lived there full-time; we weren't born there. We just go there once or twice a year. It's weird. Our parents sound Irish, but we don't.
The minute you or anybody else knows what you are you are not it, you are what you or anybody else knows you are and as everything in living is made up of finding out what you are it is extraordinarily difficult really not to know what you are and yet to be that thing.
I don't think we need a critic to negotiate with the audience. People say, "Who are you writing for?" I'm writing for myself but my audience is anybody who knows how to read. I think a story should engage anybody who knows how to read. And I hope that my stories do, maybe on a different level for more sophisticated readers than, say, a high school kid, but still a story has got to grab you. That's why we read it.
My wife, she knows me better than anybody else. She knows what I'm struggling with, and she knows where I'm at. And I have friends, pastors, and it's good not to have my only friends be people who think I'm special. It's really good to have people who think I'm just an ordinary guy.
Irish is harder to pull off. I know southern people and I really like the midwest, so I can tap into that a little bit. It's easier to sound angry with southern than it is Irish. Yelling Irish you can sound like an angry Leprechaun. I think me screaming like I am going to kill you in Irish doesn't work.
I wasn't embraced as an Irish artist back in the Moloko days. Modern electronica isn't what you think of when you think of Irish music.
I don't think patient would be the first word that anybody that knows me would describe me as. But I think that's anybody in competitive sports.
I think women are in much the same place in the Irish theater as they are everywhere else. Certainly, we have wonderful Irish writers, and we have quite a number of Irish women directors. But there could be more, and there should be more.
Irish people never think we're Irish. Americans think we're European or French.
When I was growing up, for example, everybody on our street was Irish. And all the girls did Irish step dancing. It was pre-Lord of the Dance - it was before anybody knew what gillys were - but we did, and there was such pride among the members of my family and people I grew up with.
My parents are Irish, my grandparents are Irish, my great-grandparents are Irish. I was born in England; my blood is Irish.