A Quote by Nic Pizzolatto
Art was always for me an escape and a way to relate to the world around me.
Related Quotes
I always tend to write about outsiders. And what's been fun for me is, as I travel around and visit schools, is that other kids that feel the same way relate to some of my characters, and so I hope in some way that's helping them when they want to read about somebody that they can relate to.
Twitter is not art. But it inspires me in the way that art used to inspire me. Art used to make me see the world differently, think about things in a new way - it rarely does that for me anymore, but technology does that for me on a daily basis.
Art was a way for me to express myself and for me to also escape because it was tough growing up as a child. We didn't have a lot of money. I was always creating. I was writing stories. I was doing comic books. I made my own universe.
Additionally, Liesl and Po is the embodiment of what writing has always been for me at its purest and most basic--not a paycheck, certainly; not an idea, even; and not an escape. Actually, it is the opposite of an escape; it is a way back in, a way to enter and make sense of a world that occasionally seems harsh and terrible and mystifying. (From the "Author's Note" at the end).
There must always be two kinds of art: escape-art, for man needs escape as he needs food and deep sleep, and parable-art, that art which shall teach man to unlearn hatred and learn love.
Writing let me escape... It let me escape the insistent tug of my family, and its ongoing misery. Sitting in front of the computer, with the screen blank and the cursor blinking, was the best escape I knew. And there was plenty to escape from.
I write some art criticism, and one thing that's clear to me is that politics is fashionable in the American art world in a way it maybe isn't in American fiction. Your work of art becomes fashionable the moment it has some kind of political commentary. I think this has its dangers - the equation between fashion, politics, and art is problematic for obvious reasons. Nonetheless, the notion of politics as being de rigueur in the world of fiction is almost unthinkable. In fiction in America at the moment, the escape into whimsy is far more prevalent than the political.
I love knowing and learning about people around the world displaying my art online. Also, it's how I learn about new artists that are in various parts of the world. The positive thing about Tumblr and Instagram is that they're a fantastic platform for art lovers. I also like, when I search for my art and it says, "see also or related artists," and I see those other artists that relate to me, at least according to the internet. I think it's fascinating - it's interesting to see hashtags people are using in relation to my work. It's another tool of communication.
I don't relate to what is seen as 'Arab culture.' I relate to what I explore myself, what is around me.
I wrote poetry in a secretive way, I think, a secret from myself, I mean. I wrote it because it gave me great pleasure to do so and because it relieved the ever-building pressure of the demanding world around me. It's always served me as a way of appraising, and controlling overwhelming experiences. But this need, and desire, was always in conflict with my need to "survive."
Art led the way for me to recover. He got out of prison before me and started traveling all over the world before I did. He showed me by example that it could be done, and I'll always love him for that.
The people around me saved my life, not MMA. It was people who said, 'You're better than this,' who told me, 'You don't belong in this world.' MMA and jiu-jitsu and training gave me an escape.
You can do anything in the world if you say "Hey man, don't blame me, the devil made me do it. It's an easy way to escape responsibility."
I can fully understand [that] artists want to be able to pay their bills. As a fan of art, and art as a way to shift dialogue and address cultural issues, there's a part of me that's really, really saddened by that and can't really relate to it.
How am I placing myself in the world of other people around me? For me, I feel that I am not really alone, that others can feel it too. I see art in this way.
I relate to that idea of not necessarily seeking out 'interesting female roles,' but 'this character, this role, who happens to be a woman, is interesting to me, and I relate to it in some way, so I'm just gonna go with my gut and see where it leads me.'
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