A Quote by Nic Pizzolatto

I enjoy a third act, and I like stories with ending. A lot of my frustration with serialized storytelling is a lot of shows don't have a third act. They have an endless second act, and then they find out it's their last year and often have to hustle to invent a third act, but they were never necessarily organically meaning to begin with.
The first act is writing, the second act is filming, the third act is releasing. If you have to partake in the third act, it hurts the first act of the next one. It's like a prizefight. You get punched.
The first act is the easiest to plot. The second act is always the hardest to plot. Generally a good, you know, sometimes the third act can be difficult because you can get into a rut in the third act - everybody runs to their Corvette, has a chase, and you catch the bad guy.
TV now, you have to plan it: you structure it for binge watching, meaning you structure the whole season like a three-act play. You have a first act - the first third of the season - second act is the middle third, and you structure it like that.
As I saw my 60th birthday approaching, I thought,What did 60 mean to me? I figured I'd probably live until I'm about 90, which meant that I was at the beginning of what I call my third act. As an actress, I know how important the third act is. It makes sense of the first and second acts. You can have first and second acts that are interesting, but you don't know what they mean. Then a good third act pulls it all together. And so I knew that, because I sat by my father's side over the long months when he was dying.
Personally there is first: imagination; second: the act of writing - and third: the act/act of vocalizing.
I enjoy politics, but if I had a third career - and I've had multiple careers - my third act would be acting.
One of the things that I find most incredible about dad is the third act of his life.After all he accomplished in his professional career and what he's given for his country, at the point in his life where he's faced adversity, losing a son, having a helicopter crash, having a stroke, and what he's accomplished in this third act in his life, I find quite extraordinary.
If in the first act you introduce a gun, by the third act you have to use it.
It's like the old rule-if you introduce a gun into the first act of a play, it's going to be used in the third act. So if you do a movie about criminals, you have to accept there's going to be Some action.
Making dances is an act of progress; it is an act of growth, an act of music, an act of teaching, an act of celebration, an act of joy.
I have struggles in screenwriting that lead me to a third act that's always more or less efficiently wrapped up in a fourth act that's trying to give closure to too many things.
When you're reading, you're laughing and not quite noticing what's happening. One second you're still kind of chuckling, and then all of sudden you're in the third act of the book and in this very dark and claustrophobic place.
If you have a problem with the third act, the real problem is in the first act.
Have you noticed ... there is never any third act in a nightmare? They bring you to a climax of terror and then leave you there. They are the work of poor dramatists.
Why does a woman carry a gun? Because, under our system, every citizen has the latitude to act in the absence of police; the latitude to act reasonably, to act immediately, to act in defense of self, to act in defense of another, to act with lethal force, to act with her acquired training and to act not in anger but to respond in purpose. To exercise the protections of that latitude in public policy, public interest and practical safety, all that is demanded of her is that she act reasonably under the circumstances.
A lot of the shows I have done, I'm often the only black guy and I have often had to play second or third fiddle. It isn't necessarily a bad thing if it is a strong ensemble cast. But I feel people have overlooked my abilities.
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