A Quote by Niccolo Machiavelli

If the present be compared with the remote past, it is easily seen that in all cities and in all peoples there are the same desires and the same passions as there always were. — © Niccolo Machiavelli
If the present be compared with the remote past, it is easily seen that in all cities and in all peoples there are the same desires and the same passions as there always were.
From the most remote of villages to the largest metropolitan cities, we, as a species, have the same internal need to be seen, heard, and validated. It is the most human of traits that I have witnessed and experienced the world over.
In Sweeden every city looks the same. I've been to sixteen cities, and every single city is the same! The same cobblestone, the same McDonalds, the same everything. Everything was designed by the same guy. They must have saved a lot of money when they designed all the cities.
We are driven by the same fears and the same loves and the same ambitions and the same desires, whatever language we speak.
All major cities are the same. People have the same sensibilities and they get afraid of the same subjects, groaning at the same things.
The second album was like being on a completely different planet compared to when we were making the first album. ... Even though it was the same musicians, the same artist, the same studio, the same producer, - it felt like a completely different piece of a puzzle.
The infrastructure we provide is the same in a remote town in Africa or New York or an archipelago in Sweden: we use the same system, and the chips inside the phone are the same.
The principles and passions of men are always the same and lead to the same result, varying only according to the circumstances in which they are placed.
As men are affected in all ages by the same passions, the occasions which bring about great changes are different, but the causes are always the same.
Maybe when the President tells you that you should be afraid of Mexicans or Muslims or Jews or black people or gay people or trans people, you'll realize that those are just labels, that underneath it all we're all the same people, we all have the same aspirations, the same hopes, the same desires, that we all share the same values.
I never fail to be moved by knowing that the ground on which I walk is layered with the past- with achievement and strife and the repeated passions and conflicts of the human creature, always changing, always the same. Generations passing like grass.
I am a Jew: Hath not a Jew eyes? hath not a Jew hands, organs, dimensions, senses, affections, passions? fed with die same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is?
My concern today is with the painting of manners of the present. The past is interesting not only by reason of the beauty which could be distilled from it by those artists for whom it was the present, but also precisely because it is the past, for its historical value. It is the same with the present. The pleasure which we derive from the representation of the present is due not only to the beauty with which it can be invested, but also to its essential quality of being present
We're in the same ghettos, same inner cities, and we're suffering from the same problems. Every problem the blacks have, the Latinos have.
I've spent most of my life in cities, and so I've always lived with the curiosity about what makes for city cultures and how peoples live in cities, how peoples anywhere manage to co-exist, the public life and the private life.
The biggest mistake of past centuries in teaching has been to treat all students as if they were variants of the same individual and thus to feel justified in teaching them all the same subjects the same way.
What I find compelling is the moment in which people realize, with suffering and pain, that in the past there was a time when they were happy, because back then the present and the future coincided - they were one and the same thing.
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