A Quote by Nicholas G. Carr
I think we begin to lose the ability to read in the deepest, most interpretive ways because were not kind of calming our mind and just focusing on the argument or the story.
Related Quotes
Literature is an aspect of story and story is all that exists to make sense of reality. War is a story. Now you begin to see how powerful story is because it informs our worldview and our every action, our every justification is a story. So how can story not be truly transformative? I've seen it happen in real ways, not in sentimental ways or in the jargon of New Age liberal ideology.
Know the story before you fall in love with your first sentence. If you don’t know the story before you begin the story, what kind of a storyteller are you? Just an ordinary kind, just a mediocre kind – making it up as you go along, like a common liar.
I think the language of sacrifice is particularly important for societies like the United States in which war remains our most determinative common experience, because states like the United States depend on the story of our wars for our ability to narrate our history as a unified story.
You don't just have people who wake up in the morning and say, "What evil things can I do today, because I'm Mr. Evil?" People do things for what they think are justified reasons. Everybody is the hero of their own story, and you have to keep that in mind. If you read a lot of history, as I do, even the worst and most monstrous people thought they were the good guys. We're all very tangled knots.
I think that most of us, anyway, read these stories that we know are not "true" because we're hungry for another kind of truth: the mythic truth about human nature in general, the particular truth about those life-communities that define our own identity, and the most specific truth of all: our own self-story. Fiction, because it is not about someone who lived in the real world, always has the possibility of being about oneself. --From the Introduction
One of the ways that our faith expresses itself is by our ability to be still, to be present, and not to panic or lose perspective. God still does his best work in the most difficult of circumstances.
Lose the day loitering, 'twill be the same story To-morrow, and the next more dilatory, For indecision brings its own delays, And days are lost lamenting o'er lost days. Are you in earnest? Seize this very minute! What you can do, or think you can, begin it! Only engage, and then the mind grows heated; Begin it, and the work will be completed.
We don't save our soul and leave our emotions and our feelings and our body and all the rest of it out. That's just a way of talking that emphasizes the soul is so fundamental that we can, in some cases, treat it as the whole person because it actually is the thing that integrates all of these aspects of the self and makes them work together. Now, I don't think we can find a passage in the Bible that says that. We have to read and study how it addresses the soul, and we then see that it is the deepest, most vital part of the human self.
I think we've broken story after story that the rest of the media refused to break even when they had the story because they were scared of the story, or they just didn't think it was appropriate.
We've learned that musical ability is actually not one ability but a set of abilities, a dozen or more. Through brain damage, you can lose one component and not necessarily lose the others. You can lose rhythm and retain pitch, for example, that kind of thing.
We lose the magic whenever we stop telling our story and begin to wonder how we're doing, if we're selling it, if the listener likes us. Just tell the story and go on to the next one. All of us are full of stories the world might want to hear.
When you finish reading a script and you realise that you didn't think of anything else, that you were just focusing on the script and were caught up in the story, then that's when I am amazed.
Once I start work on a project, I don’t stop and I don’t slow down unless I absolutely have to. If I don’t write every day, the characters begin to stale off in my mind – they begin to seem like characters instead of real people. The tale’s narrative cutting edge starts to rust and I begin to lose my hold on the story’s plot and pace. Worst of all, the excitement of spinning something new begins to fade. The work starts to feel like work, and for most writers that is the smooch of death.
If, as an actor, you allow yourself to be cocooned from the boring pin-pricks of day-to-day existence - like standing in a queue at the butcher's or any of the other dreary little events that we all have in our daily lives - you begin to lose your lifeline to what people are. And if you lose that, you eventually lose the ability to act.
I think that people who don't mind reading find the immersion and their ability to get into a deeper place with the story to be satisfying. That's the kind of reader I want.
When did we begin to lose faith in our ability to effect change?
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