A Quote by Nicholas Galitzine
First and foremost, I think it's just such an incredible gift as an actor when you're presented with a notion of essentially playing two characters in one - which is kind of how I approached Timmy in this version of The Craft.'
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We can buy you one of those books they have for little kids 'Timmy Has Two Dads'. Except I don't think they have one called 'Timmy Has Two Dads and One of Them Was Evil'. That part you're just going to have to work through on your own.
I love doing characters that surprise people and showing what I am, which is an actor, first and foremost.
I think it's interesting playing characters who are flawed and make mistakes because we all have - no one's just one thing - no one is just bad or just good - so I like finding flawed characters and playing with their redeeming qualities, whether you play it outwardly or not. I think that one of the reasons I'm an actor is that I love people and I love finding out who they are and why they do the things they do, so it is fun to play those kinds of characters.
I've always approached screenplays and so forth with, "How would it really happen?" Not "What's the movie version?" but "What's the real-life version?" Then I just follow my nose.
Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.
The secrets that the characters hold are held back from the audience, and that's such a delight to hold onto. When you're playing scenes, it gives you an inner dialogue that allows you to really immerse yourself as the actor, in every scene that you're playing. Nothing felt expositional. Nothing felt like we were just doing it to move the story along. There was a reason these characters were saying what they're saying. It was a gift, really.
What actor doesn't want to walk around a set and be called 'Mr. President?' Playing POTUS is a kind of rite of passage among American actors - our version of playing Hamlet.
It's not easy being an actor, and having said that, everybody's an actor. Do you know what I mean? Paris Hilton's an actor, which is kind of scary. But if you want to honor your craft and yourself, strive for the nobler instincts.
When you're writing a story or an actor playing a role, you should never think of your characters as heroes or villains. You have to think of them as people first.
I think the idea, first and foremost, is to understand that people may label these characters as villains, but at the end of the day I have to fall in love with the characters that I play. For me, they have to be real characters with real objectives, and driving forces. So they're all different.
I had quite a bit of experience doing things that had been adapted from a book and playing real-life characters and playing the younger version of actors. That's kind of my thing.
You have to remember that you are part of a craft, and you are constantly building your craft. Ultimately, we are artists, so it comes from us. And I think the tricky thing about being an actor is that we're looking for someone else to give us something... Thinking like an artist and thinking like an out-of-work actor are two different things.
I think the first thing is don't give up. If you love the craft. If you love being a detective and discovering who a character is and the detail of how they walk and what kind of shoes they wear and what did they do yesterday and what's important to them. I definitely advise actors to learn about the craft.
I'm always going to be an actor first and foremost, but I certainly want to have a voice in the kind of work that I'm doing.
A lot of people are surprised to hear that an actor studied for two or three years. They take the craft for granted and wanna just wake up and be an actor.
I'm not really interested in playing famous people. I prefer to create characters. And I hope I have an exciting enough life that somebody might make a movie about that one day. I don't want to make movies about other people. I was once approached about playing Salvador Dali, which I thought would've been fun until I found out that he was proud of kicking a blind man across the street. So, I decided, I didn't want to play that guy. So, I think I'll just keep it the way it is.
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