I think Kriti and I have great onscreen chemistry, which translates in real life.
We would be glad to have your friend come here to study, but tell him that we teach Chemistry here and not Agricultural Chemistry, nor any other special kind of chemistry. ... We teach Chemistry.
It's weird because I once lost a job because I had a chemistry read with the lead actor, and I could tell we had negative chemistry. He was very lovely, but you could tell. We had the chemistry of two chairs.
A love story definitely demands a great onscreen chemistry between its actors.
Chemistry's a weird thing. You can see actors who are friends in real life but have no screen chemistry. Then there are actors who don't get on but have great chemistry.
When you work with a good actor, there is this natural rapport and chemistry that develops over time. That chemistry helps your characters come alive and makes the story of the film that much more convincing.
The biggest thing people tell me is that I'll be jaded real soon and that the allure of filmmaking will lose its magic. Not necessarily the fame, but that special thing you create onscreen.
Chemistry on film is like chemistry in real life, it's either there or it isn't.
The only real satisfaction is live performances. That's when you can actually get some feedback from what you're doing. You get that artist-to-audience chemistry. I love it!
You know, we’re not on stage, we’re not doing a play, so we don’t have a relationship with the audience but going through that process and also just hearing how much people love the film, you feel like you do have a relationship with the audience.
You know, we're not on stage, we're not doing a play, so we don't have a relationship with the audience but going through that process and also just hearing how much people love the film, you feel like you do have a relationship with the audience.
One of the reasons I loved working with Tom is people feel they know who he is... I think working with an actor who the audience already has a relationship with actually helps you in a film like this.
You can generate a phenomenal relationship with an audience. It's very gratifying, a real privilege.
Cooking isn’t taught,” Patch said. “It’s inherent. Either you’ve got it or you don’t. Like chemistry. You think you’re ready for chemistry?” I pressed the knife down through the tomato; it split in two, each half rocking gently on the cutting board. “You tell me. Am I ready for chemistry?” Patch made a deep sound I couldn’t decipher and grinned.
Both me and Nikitin are protective when it comes to our relationship. We would not like if someone comes and tells that 'Oh your chemistry is better with your co-actor than real life husband.'
I just want my music to involve an audience in what's taking place onscreen.