A Quote by Nicholas Lea

At Christmas, 'It's a Wonderful Life' makes me cry in exactly the same places every time, even though I know it's coming. — © Nicholas Lea
At Christmas, 'It's a Wonderful Life' makes me cry in exactly the same places every time, even though I know it's coming.
I don't understand racism. We are all the same and I have the perfect hypothesis to prove it. I play to all those countries and they cry in all the same places in my show. They laugh in the same places. They become hysterical in the same places. They faint in the same places and that's the perfect hypothesis. There is a commonality that we are all the same.
I cry all the time when I watch 'Glee' because I don't know if it's satire or melodrama and that makes me feel like the writing is aware of itself, and that makes it OK to cry.
That was such a wonderful time, even in its strangeness and sadness-and life isn't the same now. It's wonderful, but it isn't the same.
I loved repetition. Every time I turned on a light I knew what would happen. When I flipped the switch, the light went on. It gave me a wonderful feeling of security because it was exactly the same each time.
I love 'Glee.' I cry all the time when I watch 'Glee' because I don't know if it's satire or melodrama and that makes me feel like the writing is aware of itself, and that makes it okay to cry.
I'll shout out to James L. Brooks. 'Terms of Endearment' always makes me cry. Also, 'Stepmom' always makes me cry. I guess, you know, mothers dying. It's a safe bet that I'm going to cry.
Besides Christianity and specifically Catholicism being wonderful, Christmas is intrinsic to American culture and worth defending. Think of what happens at Christmas time. People play Mariah Carey Christmas songs... What else do you need in life?
Dumbo... makes me cry. Every single time and in the exact same spot. I just have a special affection for Dumbo.
You can't be perceived as 'the black actress who doesn't get the same kind of roles as the white actress.' You gotta run the same race. You gotta give the same quality of performances. You gotta have the same standard of excellence, even though people know that you're coming to the race in a deficit. That's just what life is about.
I know what I'm the best at. But I still want to do something different because it's fun for me. Even though I'm really good at something, it's boring for me to do the same thing every time and it'll be boring for people who are listening to me.
We pursue exercise even though empirically we see no benefit from the energy we're spending and we're hurting. So empirically we should quit. The why is exactly the same thing. You persist even though there are some short-term stresses and even though there is some uncertainty.
All my novels are very much directly related to my inner life, even though I'm inventing characters, even though it's fiction, even though it's make-believe, it nevertheless is coming out of the deepest recesses of myself.
[With "Summer Sisters" the publisher] sent me on a big book tour. And it was the most wonderful professional experience of my life. I mean it was like Kleenex on every table wherever I was, friends patting friends on the back and they'd cry and I'd cry.
Even though you don't understand what I'm saying, you are going to really feel it. The same thing happened to me when I used to listen to English music. I didn't even understand one word. You know? But it just makes me feel great.
Every time, my syncopation is different, because I can never play the same fill twice. I just can't, never have been able to. Even as a Beatle, they'd say, 'Oh, double-track that.' I don't know how you do that, because when I'm in a fill I'm sort of this blackout, just this pure me coming out and I can't pure me the same, twice. So, that's that.
The humor and emotion of the 'Do You Want to Build a Snowman' theme makes me cry every time I watch it, and that deep emotion is something we'd love to do on the show. If we can make you cry, we always try to. And 'Once,' when it's at its best, is emotional and fun.
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