A Quote by Nicholas Lea

I'm trying to do the kind of projects that I want to see in the theatre. — © Nicholas Lea
I'm trying to do the kind of projects that I want to see in the theatre.
I try to pick interesting projects, the kind of projects that I would want to watch.
I write very much from what I want to see, and the hardest projects are projects where you lose track of that.
I want to make films that make a difference. I want to be out and hope that that will make things better for gay people and for myself. I hope one day I can start to make the kind of projects or be involved with kind of projects that can really make a difference
You see sort of the difference in the way that Marco Rubio was talking in that kind of way. That kind of [Donald] Trump imitating way, which is designed to connect with certain people who want to see that from their political candidates as opposed to kind of speaking in the measured tones that we`re used to from Republican politicians who are trying to become president.
I'm really focused on These Days and I'm trying to take it as far as I can - I feel like it's a strong body of work. I just want to give it the ame kind of attention I give all my projects.
I want to be known as someone who got caught trying. Yup. Trying to make communities that didn't think much of themselves see themselves as fabulous, powerful, beautiful, loving, kind, members of this world. That's what I want people to say about me.
There are two kinds of theatre, good and bad. Much as I should like to see theatre in America, I would rather have no theatre than bad theatre. What we must strive for is perfection and come as close to it as is humanly possible.
Trying to apply formal methods to all software projects is just as bad as trying to apply code-and-fix development to all projects.
I want to see a player on the football field. I want to see what kind of teammate they are, what kind of leadership qualities they have. I want to see how aggressive they are, how much fun they have playing the game.
I come from the theatre, my bones are in the theatre; it’s as natural as breathing to want to be in the theatre
I come from the theatre; my bones are in the theatre. It's as natural as breathing to want to be in the theatre.
When you see the floor and you understand the game and you're trying to break it down with what you have in front of you, you can do it offensively and defensively. And you try to take advantage of it both ways. You see where the offense's head is and you can kind of read what you want to do.
A James Bond film can be artistically fulfilling. Absolutely it can. It can be complex, and it can be interesting. I consider Bond movies to be an extension of popular theatre, a kind of modern mythology. You see the same sort of action in 'Punch and Judy' or in the folk theatre of various cultures, like 'Grand Guignol.'
I want to bring theatre to a new generation, using the tools available to us, including taking it out to them on film and with new technology, but that is just so they can discover theatre. I want them to come in and sit in a theatre. This is the way to plant seeds.
Why did I want to become a director? I just had an early interest. My uncle was an actor in a local community theatre, and he ultimately persuaded me and a buddy of mine to come to that theatre, and we went to meet girls, and that turned into interested in kind of behind-the-scenes things, and from that point on, I was focused.
When you make a film, you're creating the illusion of a natural experience. But everything is created on purpose. If I want you to be scared, I'm trying to scare you. If I want you to cry, I'm trying to make you sad. If I want you to laugh, I'm trying make you laugh. So, how I get you there is what makes it interesting, because I also want it to feel seamless, and not forced. That kind of constant experimentation is just fun to explore, and I love it.
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