A Quote by Nicholas Lea
I don't care what TV show you work on, even a movie for that matter, it's all about time and money eventually.
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I feel like with 'Hubie,' it was just a matter of the difference between working on a movie versus a TV show. TV shows, it's like a long period of time and you're living there, and with this movie, it was kind of in and out.
It doesn't matter if it's a school play or a dumb TV show. It's your work. You should care about it so much that people get annoyed with you.
Money's never an issue. I can go and work for a small studio theatre somewhere if it's a play I really care about, or do TV or a big commercial West End show.
I work on everything, whether it's a film or TV show - I wouldn't even consider 'American Gods' a TV show. I don't even know what it is.
The TV show I do ['Dr Quinn'] is the day job that enables me to work with this theater [Pacific Resident Theatre Ensemble]. That's all I live for. That's what I care about. There's no dough in it. Nothing to do but lose money. But it's all from the heart, and that's why it's so much fun.
Believe it or not, I don't own a TV. Crazy huh? I'm not a big movie-goer either. I just feel like I'm watching work. I am always outside and couldn't care less about what's on TV these days.
I think TV is all about caring, and if you don't care about a character in a drama or a person when they get voted out of a reality show, it's bad TV. I wouldn't care if you dropped a bomb on the 'Big Brother' house.
It's too hard to make a movie if you don't care about what happens to it, or even what the product is. I can't even imagine that. It's not worth the time and effort if you don't care about the product.
One of the really nice things about having the time to do a movie is that you can fine tune it. With TV, you really need A-level people to make a good TV show because it's moving so fast.
'The Comeback' is my favorite TV show of all-time because it's just brill. It's Lisa Kudrow's show about what it's like to be an actor on a TV show. She's so amazing on it.
There's something inherently more appealing about the idea that you could reveal and tell stories about characters over the course of a TV season - 13 or 26 episodes, whatever it might be - than in the course of one two-hour movie. You can do so many more novelistic kinds of things on a TV show - with time, with gradual development of relationships, and so on - than you could possibly do in a movie. And that is very appealing.
One of the things we try to do on 'The Fosters' is shine a light on the problems and the people that get pushed to the periphery. From the very beginning of the show, when we told people we were putting foster care at the center of a TV show, even the people who work in the system were afraid.
Inside of all of us we have these patterns where we eventually become at least ethnocentric. We care about our group, our mom, our dad, our family, our religion. And some people, eventually, evolve beyond that until they're more human-centric or even spirit-centric where they care about everything.
You matter as much as the things that matter to you. And I got so backwards trying to matter to him. All this time, there were real things to care about: real, good people who care about me, and this place. It's so easy to get stuck. You just get caught in being something, being special or cool or whatever, to the point where you don't even know why you need it; you just think you do.
It [TV] is the cancer of film. It's why people can't be educated to film. In the late '60s, we expected to see a movie or two every week and be stimulated, excited and inspired. And we did. Every week after week. Antonioni, Goddard, Truffaut - this endless list of people. And then comes television and home video. I know how to work exactly for the big screen, but it doesn't matter what I think about the art of movie-making versus TV.
For me personally, it doesn't matter if I'm in a short film, a commercial, a digital series, a TV show, or a movie. Acting is acting. You have to embrace whatever medium you happen to be in and not worry about everything else around it.
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