A Quote by Nicholas Meyer

My father's book is about is about a number of things, but about Houdini's rage to not be a failure like his father, and it's also about converting X-rated material, namely bondage, into family friendly safe fare, which is what he did. It's also about death and resurrection, and rising to live again another day when everyone thinks you're dead.
I'm about caring, I'm about people, and I'm about entertaining people. I'm a family man. A husband. A father. I've been a lot of other things over the years, which we don't really want to talk about.
My father is a gypsy. He traveled in caravans and was branded by the Ku Klux Klan. You know I have a history about race in my family that has very much to do with the other things that you name about poverty, about class, about access - or lack of it.
I think Roger Rasheed is helping me to be more serious. Also, he can convey his passion for tennis. He loves the game. Also he's enthusiastic about everything, about tactics, about what is happening on the court, and also physically he's really pushing me. He wants me to do my best every day.
Wonder Woman' is thinking about me. It's thinking about my pleasure, about my sisters, about the history of cinema and women's representation. It gives us joy but also rage.
Everyone has material about cats, and everyone has material about family and what they think about their government or childhood.
For me, the most powerful way to write about something is through the absence of it. Rather than writing about what it was to become a new mother, I wrote, for example, a father facing death and addressing his estranged son about the regrets of his relationship.
Who are we to tell Lonzo Ball how to raise his kids. He's very entertaining and you've got to remember, guys, weren't we saying the same things about Richard Williams and Earl Woods? And how did their kids turn out? This works for the Ball family. He's a strong father figure. His kids love him and respect him, so what's everyone complaining about?
Food is also about pleasure, about community, about family and spirituality, about our relationship to the natural world, and about expressing our identity. As long as humans have been taking meals together, eating has been as much about culture as it has been about biology.
... In relation to the way in which I look upon the works of God and his creatures, I will say that I was naturally begotten; so was my father, and also my Saviour Jesus Christ. According to the Scriptures, he is the first begotten of his father in the flesh, and there was noting unnatural about it.
I met a guy who had the same theory and wrote a book about it. His name is Walter C. Wright Jr. His book is called Gravity Is a Push. I wrote to him and told him about my father, and he said he wished he'd met him. My father died quite a while ago.
Greenleaf' is about family, but also about faith and failure and real human life.
It also happens that I don't actually teach about the stuff I make things about. I'm not a film history teacher. In that way, it's also a release. But the ideas that I talk about in the movie are the same I talk about in school.
Michael could never remember his father ever having uttered a word about death, as if the Don respected death too much to philosophize about it.
There are probably a couple of things I'd never write about until everyone I know is dead. And then there's other stuff which nobody would want to read a book about anyway.
Obviously loss of family is huge and critical, but I think really it's more about losing a sense of family. The horror of that kind of incompleteness. Writing this book, I tried not to think about my father, which does no one any good fictionally. I did try to imagine not just the horror of that moment, but the horror of having witnessed it, and the lifelong void. And I think that's what's so frightening.
There is also an insulting speech about 'one grey day just like another'. You might as well talk about one green tree like another.
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