A Quote by Nicholas Mosley
I don't think I've ever read an old book through from start to finish. Not after more than six months after writing it, that is.
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When I first have an idea, I'll spit-ball it with my husband: he's my beautiful ideas sounding board. I usually have a year deadline from start to finish, so I'll piss about for three months and pretend to get started. Then there's four to six months of actual writing and, after that, submissions, edits, and eventually a finished product.
You know that feeling when you finish a final exam and you think, 'I never want to do that again'? Well I have the same feeling when I finish a novel. Each time I say, 'I think I may retire now' and then after six months the ideas start to churn again. I could never stop.
Coming back to 'Saath Phere' after a break of more than six months is like walking into an old home.
The way I found time to write 'The Imperfectionists' was that I took work as a copy editor at the 'International Herald Tribune' in Paris, working full-time for approximately six months, then taking my savings from that and writing full-time, then returning after six months, and so on, until the book was done!
I'm more or less happily writing Chapter Six of The Graveyard Book. I say more or less as I'm at that place where I hope that the book knows what it's doing because right now I don't have a clue - I'm writing one scene after another like a man walking through a valley in thick fog, just able to see the path a little way ahead, but with no idea where it's actually going to lead him.
One thing that was amazing about World War II was that everybody signed up for the duration plus six months. Fliers got to leave combat after 25 missions, or 35 missions, but other than that, you were in it. You were part of the great effort, until, oh boy, six months after it was over.
I read in a weird way. It comes in waves, and then I start, like, five different books at once. It takes me six months to a year to finish them all, since I read mostly on planes.
The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.
I started writing at the kitchen table after midnight. It took ten months to finish that first book; I sent it to a publisher and I got some kind of prize, so it was like a dream - I was surprised to find it happening.
I made a conscious decision after I did 'The Duchess of Malfi' at the Old Vic in 2012, when my daughter was six months old, to try doing more screen work.
My wife gave me a year to start making money out of writing, and after six months, I'd made not a bean. Suddenly, the books took off, and the beans started coming in!
After you finish a book, you know, you're dead. But no one knows you're dead. All they see is the irresponsibility that comes in after the terrible responsibility of writing.
I am not like Stephen King, who writes one book, then writes another. I finish a book and go off and... look for wrecks. Then, six months later, I might start another book.
After each book, I get panicky. I don't love the reviews. I don't like going through all that, and you would think that, after almost 40 years of writing, I'd have got the hang of it.
One can be tired of Rome after three weeks and feel one has exhausted it; after three months one feels that one has not even scratched the surface of Rome; and after six months one wishes never to leave it.
I did not think that I was angry, but clearly anger was reflected in my writing. I did not think that I had been affected emotionally, but it was clear from my writing that I was still very emotional about the trial some six months after it ended.
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