A Quote by Nicholas Mosley

It always strikes me how almost unbelievably bad are the early versions of my novels. — © Nicholas Mosley
It always strikes me how almost unbelievably bad are the early versions of my novels.
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
When trouble strikes, which it always does - bad economy, bad quarter, activists, takeover - when trouble strikes, those board members who don't understand or are not committed are not helpful.
Movies are not novels, and that's why, when filmmakers try to adapt novels, particularly long or complex novels, the result is almost always failure. It can't be done.
From an early age, my favorite thing to read was novels. For years, when I was writing only nonfiction, still I was reading almost exclusively novels. It's weird to be producing something that you don't consume. It feels really alienating.
I've always been charmed by houses, and descriptions of them are prominent in my novels. So prominent, in fact, that my editor once pointed out to me that all of my early novels had houses on the covers.
I continued writing the bad plays which fortunately nobody would produce, just as no one did me the unkindness of publishing my early novels.
You know that thing people say, 'poetry is the hardest, stories are the second hardest, novels are the easiest?' I'm here to tell you that novels are the hardest. Writing a novel is unbelievably difficult. It's nightmarish.
They say that lightning never strikes in the same place twice, but the same is not true for courage. As it turns out, when courage strikes, it almost always begets more courage.
People always ask me "Son what does it take To reach out and touch your dreams?" To them I always say Are you hungry? Are you thirsty? Is it a fire that burns you up inside? How bad do you want it? How bad do you need it? Are you eating, sleeping, dreaming With that one thing on your mind? How bad do you want it? How bad do you need it? Cause if you want it all You've got to lay it all out on the line.
Early versions of Microsoft Word left a lot to be desired. However, to the company's credit, it quickly learned where Word fell short, made the necessary changes, and repeatedly introduced new versions of the software.
Looking back, I've learned the most from the bad coaches, really, how not to act, how not to coach, how not to treat people. So I always say no matter what situations you're faced with, how bad it is, you can always walk away and learn. You can always rise above it.
Go find very early versions of things: the first TV pilot of a later-successful TV show; early audition tapes by famous actors; early demos by famous musicians. Focus on these early examples, not what they became over the next 20 years. Remember that what you're doing will constantly improve.
Early on, one of my favorites was Ray Charles. I remember hearing 'I Can't Stop Loving You' in the early '60s and thinking, 'What an unbelievably soulful voice.' In those days, the Deep South was extremely segregated.
If one person in a group of ten is missing the tip of his little finger, I will notice it almost immediately. This extreme attention to visual detail is not a virtue, just a fact of my person. It happens seemingly involuntarily and strikes me as neither good nor bad.
Strikes always leave a bad taste with everyone.
There are so many versions of Batman that I love so much from different artists that I had to almost stop trying to draw those versions and get past that and just draw the Jeff Lemire version of Batman eventually.
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