A Quote by Nicholas Sparks

Life, he realize, was much like a song. In the beginning there is mystery, in the end there is confirmation, but it's in the middle where all the emotion resides to make the whole thing worthwhile.
The mystery form was very helpful for me as a beginning writer because mystery novels and suspense novels have a beginning, a middle and an end.
The worst thing about this particular end (of my youth) and the beginning (of middle age) is that for the first time in my life, I realize I don't know where I'm going. My wants are simple: a job that I like and a guy whom I love. And on the eve of my thirteth, I must face that I am 0 for 2.
Man no longer lives in the beginning--he has lost the beginning. Now he finds he is in the middle, knowing neither the end nor the beginning, and yet knowing that he is in the middle, coming from the beginning and going towards the end. He sees that his life is determined by these two facets, of which he knows only that he does not know them
I never start a song at the beginning; I always start in the middle, working with the original concept. That might be a loop or a vocal hook. A weird noise or a string sample. Once that's at the heart of the song, I work concertina-fashion, expanding the song forwards to the end and backwards to the beginning.
**Did you realize how much a kiss says, Philip???** Oh My Angel I doooo....A KISS is the beginning of, middle to, and end of most things I love about life.
Every single song I write has to feel like it has a beginning, middle, and end, like a movie or a short story.
For me the Anita series is built like a mystery series, which means that as much as possible each book stands alone, so you have a mystery to solve from the beginning to the end of the book.
You realize time isn't just a period that you tell a story within - it becomes a major character in the film. There is no beginning, middle, end because there is always stuff beginning and ending simultaneously.
I love that there's a beginning, middle and end to a film and you can craft what the whole journey is going to look like.
You want a story? Read 'Gone With the Wind'. These aren't stories. They're joke books. The whole thing of a beginning, a middle and an end has been done to death.
A tragedy is a representation of an action that is whole and complete and of a certain magnitude. A whole is what has a beginning and middle and end.
A love affair is like a short story--it has a beginning, a middle, and an end. The beginning was easy, the middle might drag, invaded by commonplace, but the end, instead of being decisive and well knit with that element of revelatory surprise as a well-written story should be, it usually dissipated in a succession of messy and humiliating anticlimaxes.
The great thing about a trilogy is that it feels like you've got a beginning, a middle, and an end.
Life doesn't have a neat beginning and a tidy end; life is always going on. You should begin in the middle and end in the middle, and it should be all there.
When I married Humphrey I made up my mind to like sermons, and I set out by liking the end very much. That soon spread to the middle and the beginning, because I couldn't have the end without them.
A whole is that which has a beginning, a middle and an end.
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