A Quote by Nicholas Sparks

People in pain don’t always see things as clearly as they should. — © Nicholas Sparks
People in pain don’t always see things as clearly as they should.
Thanks to photography, the eye grew accustomed to anticipate what it should see and to see it; and it learned not to see nonexistent things which, hitherto, it had seen so clearly.
Few things a doctor does are more important than relieving pain. . . pain is soul destroying. No patient should have to endure intense pain unnecessarily. The quality of mercy is essential to the practice of medicine; here, of all places, it should not be strained.
Some eyes want spectacles to see things clearly and distinctly: but let not those that use them therefore say nobody can see clearly without them.
The story man must see clearly in his own mind how every piece of business will be put over. He should feel every expression, every reaction. He get far enough from his story to take a second look at it... to see whether there is any dead phase... to see whether the personalities are going to be interesting and appealing to the audience. He should also try to see that the things that his characters are doing are of an interesting nature.
Artists react to tragedy by doing something both as a way for us as artists to process our pain and our grief and our loss and as a way to give something back and memorialize people that are lost. That always makes it far harder to compartmentalize things. As a species, should never get used to tragedy and we should do everything we can to prevent it from happening and to celebrate people loving people. We should all be lucky enough to be loved and to love someone in return. That's what this is about.
I have always felt one of the things dance should do - its business being so clearly physical - is challenge the culture's gender stereotypes.
Better beware of notions like genius and inspiration; they are a sort of magic wand and should be used sparingly by anybody who wants to see things clearly.
I always think that good writers should be growing up on the brink of death - it really lets them see mortality very clearly.
So you should be able to see them clearly in your imagination. We always find it easier to visualize what we fear; it's what keeps us afraid of the dark.
Your mind has a way of not letting you forget things you wish you could. Especially with people. Like, you'll always try your best to forget things that people say to you or about you, but you always remember. And you'll try to forget things you've seen that no one should see, but you just can't do it. And when you try to forget someone's face, you can't get it out of your head.
When you see what you express through photography, you realize all the things that can no longer be the objectives of painting. Why should an artist persist in treating subjects that can be established so clearly with the lens of a camera?
We can't always see people's pain; they can always feel our love.
People in the industry thought it was laughable that I should be going up for things that didn't clearly state what race the part was intended for.
'This' pain I can see it but I can't feel it It haunts me When I cut myself I can see where the pain is coming from and watch it heal And I can easily care for it 'This' pain doesn't have a specific place It moves around and creeps into strange places.
You always have to be available for people, and you have to be clearly stating what you want to see, in so many disciplines, all at the same time.
Unless a man has pity he is not truly a man. If a man has not wept at the worlds pain he is only half a man, and there will always be pain in the world, knowing this does not mean that a man shall dispair. A good man will seek to take pain out of things. A foolish man will not even notice it, except in himself, and the poor unfortunate evil man will drive pain deeper into things and spread it about wherever he goes.
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