A Quote by Nicholas Sparks
I know you loved her, but it's okay to let it go now. You know that, don't you? You've got to be able to let it go.
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My biggest advice to people now is that when you go through something traumatic, you've got to go talk to somebody. You've got to be able to understand it, make peace with it inside yourself, and you've got to be able to let it go.
You've got to know when to let a woman go if you want to keep her,and if you don't want to keep her you let her go anyhow so it's always a process of letting go, one way or the other.
Vets are close to my heart, okay, and it's not only because I served, okay. It's because of what they go through, okay. A lot of these people have gave their lives, a lot of them have gave their limbs, okay, you know, that's a, that's a, that's a heap, you know.
Hannah Storm in a horrifying, horrifying outfit today. She's got on red go-go boots and a catholic school plaid skirt ... way too short for somebody in her 40s or maybe early 50s by now...She's got on her typically very, very tight shirt. She looks like she has sausage casing wrapping around her upper body ... I know she's very good, and I'm not supposed to be critical of ESPN people, so I won't ... but Hannah Storm ... come on now! Stop! What are you doing? ... She's what I would call a Holden Caulfield fantasy at this point.
God is okay. He's got big shoulders. He's okay with our - with our questioning and our - you know, I think the bigger the question, the bigger the answer, you know? It may be sickness, it may be loss, it may be disappointment, but sometimes you feel like heaven's silent, that "God, how-how can this be love?" But actually, if you go back to the Word, you know, it just underpins everything.
Go now, verses, on your light feet, you have not trodden hard on the old earth where the graves laugh when they see their guests, the one corpse stacked on top of the other. Go now and stagger to her whom I do not know.
Americans now know that housing prices can go down and they can go down by 10, 20, 30, and in some cases, 40 or 50 percent. We know they can go down. But five years ago, we thought they could only go up.
so the story goes but theres something you should know before i walk away and i blow the ending i never want to be without you oh no here i go now you know what i feel about you theres no running must have been wrong to doubt you oh there i go no control and i'm fallen so now you know
I think that is funny to say because I've always loved her work and her strength and vulnerability, and the intensity of Evan's [Rachel Wood] performances. And to know her as a friend, know her as someone who we just have fun, whatever, and then see how present she is when she's working and how powerful she is. It was really awesome to get to sort of go into this different dimension with each other.
Take your time, think a lot,
Why, think of everything you've got.
For you will still be here tomorrow, but your dreams may not.
From the moment I could talk I was ordered to listen.
Now there's a way and I know that I have to go away.
I know I have to go.
Compton looks a lot of different. Residents are now able to go out and grab a bite, go to dinner, go to Target, Best Buy or a gym or Marshall's. We're now able to experience more amenities. I want to see that grow.
Vanish. Pass into nothingness: the Keats line that frightened her. Fade as the blue nights fade, go as the brightness goes. Go back into the blue. I myself placed her ashes in the wall. I myself saw the cathedral doors locked at six. I know what it is I am now experiencing. I know what the frailty is, I know what the fear is. The fear is not for what is lost. What is lost is already in the wall. What is lost is already behind the locked doors. The fear is for what is still to be lost. You may see nothing still to be lost. Yet there is no day in her life on which I do not see her.
When I've finally got the title, I think, "Okay, yes, now I know where we are. Now I know what it is. Fine, that must be finished or nearly finished.
I was never able to analyze my own performance that way I can now. I've realized why certain actors work. I think I'm very in control of what I do in there now. I know how to listen, how to make it real and how not to go to jokes, but to go for a sense of reality.
I don't want to be lofty when I say this, but I don't know what a success is any more. I know how we define it, but that was a moment where I went, "Wait, who am I?" You could feel the business, in particular, kind of go "He's all right, let's go over here." I started to go, "Wait, I know why I love to do this." I think I got off track in why I love to do it.
When Ma died, I didn't know how to go on, either. I don't know how. I don't feel the same know, not exactly. Now that I see that one day comes after another and you get through them one measure at a time. But I'd like to go, not like Fonda Nye, I don't want to die, I just want to go, away, out of the dust.
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