A Quote by Nicholas Sparks

On the drive we talked easily, but we did make a small detour. After pulling into a rest stop, we made out like teenagers. — © Nicholas Sparks
On the drive we talked easily, but we did make a small detour. After pulling into a rest stop, we made out like teenagers.
And from the moment that I saw you, I knew you was trouble, But I disregarded detour signs, And did not stop til you was mine. I guess God was like, 'Aight, fine.' Careful what you wish for, cause you just might get it in heaps. Try to give it back, He be like, 'Nah, that's yours to keep.'
There are many things that only teenagers can do. Many things that they learn while they are teenagers will become important tools for them after they grow up, and I hope teenagers would make choices that they will not regret in the future.
It was incredibly cheesy set with torches [TV's Survivor] - it looked like the lobby of the Enchanted Tiki Room at Disneyland. And here as some guy pulling names out of a coconut, and I said, 'This is the thing that has made American mass media stop in their tracks?
My mother is a big believer in being responsible for your own happiness. She always talked about finding joy in small moments and insisted that we stop and take in the beauty of an ordinary day. When I stop the car to make my kids really see a sunset, I hear my mother's voice and smile.
My mother is a big believer in being responsible for your own happiness. She always talked about finding joy in small moments and insisted that we stop and take in the beauty of an ordinary day. When I stop the car to make my kids really see a sunset, I hear my mother’s voice and smile.
Then she told herself to stop her nonsense. If you looked for things to make you feel hurt and wretched and unnecessary, you were certain to find them, more easily each time, so easily, soon, that you did not even realize you had gone out searching. Women alone often developed into experts at the practice. She must never join their dismal league.
The nations of the Middle East will have to decide what kind of future they want for themselves for their country and, frankly, for their families and for their children. It's a choice between two futures, and it is a choice America cannot make for you. A better future is only possible if your nations drive out the terrorists and drive out the extremists. Drive them out. Drive them out of your places of worship. Drive them out of your communities. Drive them out of your Holy Land. And drive them out of this earth.
You asked me if I believed in magic, and I said yes, and that's how. You just step out, start pulling your life out of the air. You make friends, you find work you really like doing, you find places. You find diners and Laundromats. You find beaches. You find a junk car and drive it for a month, then lave it beside the road. You find someone to fall in love with you. You make it all up as you go. Or, you know, maybe it makes you up.
The great theme of modern British history is the fate of freedom. The 18th century inherits, after the Civil War, this very peculiar political animal. It's not a democracy, but it's not a tyranny. It's not like the rest of the world, the rest of Europe. There is a parliament, laws have to be made, elections are made.
I went to high school in Virginia Beach, Va., and we had these guys - they were surfers. They didn't like me, never talked to me. And if they didn't like you, they threw toothpicks at you. After I did a play, it was different. I found out I was pretty good at something.
I always hear people saying, "If I can just help one person, or if I can just stop one person from doing what I did." I don't think one person is enough. I feel you can help more than one person, help as many as you can. That's something that I would like to leave as my legacy: That I helped a lot of people and made some people make better decisions after looking at the decisions I've made in my life.
I did my version of g-funk and I made it into a genre, I made it huge, I made it worldwide. That's what I created, and the rest of the guys I worked with like Snoop Dogg, like Dr. Dre. We created that.
Rob [Tapert], myself and Bruce Campbell sat in hundreds of drive-insnot hundreds, but tens of drive-ins, watching these movies and learning how they were made, and we started to make our own in Super 8. And that’s really how we got into horror films. After a while we learned to really like them, and the craft that went into them.
Early on, I had to structure my ideas of success around things like, 'Can I go back and listen to the record months or years after I made it and still get some enjoyment out of it?' Or 'Have I said what I wanted to say on this album? Did it connect with people on a personal level, even if it's a small number of people?'
Giving advice is like playing pinball: only by pushing and pulling can you encourage the ball to go in a new direction and increase your score. But too much pushing and pulling can cause a tilt and stop the game.
The last time I talked to Axl was in 1996. That was the last time we exchanged any sort of words. There was a rumor that I talked to him a while back [and asked to rejoin the band]. I did go to his house one night, and I talked to his assistant about something that had to do with this lawsuit that we were involved in. But it got turned into something else. He went out and made a press release that said I actually spoke to him, which was all bullshit. I was really shocked.
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