A Quote by Nicholas Sparks

I don't write fantasy, I write reality. Also, my novels have roots to Greek tragedies and as such, there has to be tragedy. — © Nicholas Sparks
I don't write fantasy, I write reality. Also, my novels have roots to Greek tragedies and as such, there has to be tragedy.
The way I write things, I just write them with a clash between reality and fantasy mostly. You have to use fantasy to show different sides of reality; it's how it can bend.
I really can't write fantasy. I cannot invent a world which does not exist. And I can't read fantasy either. As soon as I realise I'm reading a book that hasn't got its roots in a reality I can comprehend, I switch off.
I write what I want to write. Period. I don't write novels-for-hire using media tie-in characters, I don't write suspense novels or thrillers. I write horror. And if no one wants to buy my books, I'll just keep writing them until they do sell--and get a job at Taco Bell in the meantime.
I don't write fantasy; I write historical novels about an imaginary place.
I write my novels personally, desperately and non-negligently. When I write my novels, I think about my novels only, and never do other works.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
My advice is to write about what you are interested in. If you read science fiction and fantasy, then write in that genre. If you read romance novels, then try writing one.
I find fantasy easier to write. If I'm going to write science fiction, I spend a lot more time thinking up justifications. I can write fantasy without thinking as much. I like to balance things out: a certain amount of fantasy and a certain amount of science fiction.
I have been privileged to write across multiple facets of my life: to write romance novels, to write memoir, to write about leadership, and to write tax and social policy articles. The act of writing is integral to who I am. I'm a writer, a politician, a tax attorney, a civic leader, and an entrepreneur. I am proud of what I've accomplished.
'Ordinary Grace' freed me. I don't have to write only Cork O'Connor novels now. I'm liberated. I can write whatever I want to write.
I am a writer, which means I write stories, I write novels, and I would write poetry if I knew how to. I don't want to limit myself.
I am trying to write novels for properly clever people, but I also want them to be proper novels that also stick in a person's mind and have an atmosphere about them.
If you are going to write, say, fantasy - stop reading fantasy. You've already read too much. Read other things; read westerns, read history, read anything that seems interesting, because if you only read fantasy and then you start to write fantasy, all you're going to do is recycle the same old stuff and move it around a bit.
I wrote my first two long novels and an anthology of short narratives, when I was a manager of my own jazz bar. There was not enough time to write and I didn't know how to write novels. Therefore, I made written collages of aphorisms and rags.
I write novels because there is something I don't understand in reality.
I could go off into the wilderness and write fantasy novels for the rest of my life and probably be happy; but I always want to challenge myself.
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