A Quote by Nicholas Sparks
Each recognized the fact that real commitment could be proven only through the passage of time.
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Neorealism taught us to follow the characters with the camera, allowing each shot its own real interior time. Well, I became tired of all this; I could no longer stand real time. In order to function, a shot must show only what is useful.
I think it's time we recognized the Dark Ages are over. Galileo and Copernicus have been proven right. The world is in fact round; the Earth does revolve around the sun. I believe God gave us intellect to differentiate between imprisoning dogma and sound ethical science, which is what we must do here today.
I like to think of hope as a fact and something that wins out always. Whether you're hopeful or not, actually, you do get through what you're in the middle of. When you're in it, you don't feel like that's possible. But time and time again, we're proven wrong.
Through each passage and each season, may you trust the goodness f life.
We've lived through a time in which people have felt they could forge their own future and make a better world. We may not have achieved our dreams in the time frame that we once believed was realistic, but the magnitude of what is yet to be achieved only confirms the importance of our commitment. Knowing this, we can't stop now.
There should be a period of time during each practice session when you perform. Invite some friends in to your practice room and play a passage or a page of something. ... What I'm trying to indicate is that each day should contain some amount of performing. You should engage in the deliberate act of story telling each day you practice. Don't only gather information when you practice, spend time imparting it. This is important.
Back in the old days, when I was a child, we sat around the family table at dinner time and exchanged our daily experiences. It wasn't very organized, but everyone was recognized and all the news that had to be told was told by each family member. We listened to each other and the interest was not put on; it was real.
I remain persuaded of the inevitable and necessary complementarity of man and woman. Love, imperfect as it may be in its content and expression, remains the natural link between these two beings. To love one another! If only each partner could move sincerely towards the other! If each could only melt into the other! If each would only accept the other's qualities instead of listing his faults! If each could only correct bad habits without harping on about them!
I would like to say something deeper, but for me, I saw a production of "Fences" in Rhode Island and a fabulous actress played Rose, but when she first came on the stage she was mad. You could just see it. She was all, "Troy stop!" So by the time you get to the revelation scene, I didn't think she loved him, so there was no loss. I think that the real tragedy and the real drama or the thing that makes you lean in is to see the love, to see the commitment. To see the fact that Rose is invested in this marriage no matter what.
Quit making excuses. What we're really talking about here is commitment. Until you make a commitment to your dream, it's not a commitment at all. It's just another fantasy. And fantasies don't come true because they're not real, we're not committed to them. When we make commitments, they become dreams. And dreams are very real.
There are a great number of peoples who need more than just words of sympathy from the international community. They need a real and sustained commitment to help end their cycles of violence, and launch them on a safe passage to prosperity.
To be baptized means to make the passage with the people of Israel and with Jesus from slavery to freedom and from death to new life. It is a commitment to a life in and through Jesus.
I suppose I arrived at my charitable commitment largely through guilt. I recognized early on that my good fortune was not due to superior personal character or initiative so much as it was to dumb luck.
No, none of us seem so very real. We're only supporting characters in the lives of each other. Any real truth, any precious fact will always be lost in a mountain of shattered make-believe.
The rhythm of walking generates a kind of rhythm of thinking, and the passage through a landscape echoes or stimulates the passage through a series of thoughts. The creates an odd consonance between
internal and external passage, one that suggests that the mind is also a landscape of sorts and that walking is one way to traverse it. A new thought often seems like a feature of the landscape that was
there all along, as though thinking were traveling rather than making.
At times it seems as if arranging to have no commitment of any kind to anyone would be a special freedom. But in fact the whole idea works in reverse. The most deadly commitment of all is to be committed only to one's self. Some come to realize this after they are in the nursing home.
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