A Quote by Nicholas Sparks
No one in my family or my circle of friends had ever had to confront something like this. Jamie was seventeen, a child on the verge of womanhood, dying and still very much alive at the same time. I was afraid, more afraid than I'd ever been, not only for her, but for me as well. I lived in fear of doing something wrong, of doing something that would offend her. Was it okay to ever get angry in her presence? Was it okay to talk about the future anymore?
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The Lady Amalthea beckoned, and the cat wriggled all over, like a dog, but he would not come near... She was offering her open palm to the crook-eared cat, but he stayed where he was, shivering with the desire to go to her"...[later, Molly asked the cat] "Why were you afraid to let her touch you? I saw you. You were afraid of her." "If she had touched me," he said very softly, "I would have been hers and not my own, not ever again. I wanted her to touch me but I could not let her. No cat will... The price is more than a cat can pay.
As a child, what I was missing was so much bigger to me than what I had. My mother-mythic, imaginary-was a deity and a superhero and a comfort all at once. If only I'd had her, surely, she would have been the answer to every problem; if only I'd had her , she would have been the cure for everything that ever had gone wrong in my life.
He kissed her as though he were starved for her. Like he'd been held away from her and had finally broken free. It was the kind of kiss that lived only in her fantasies. No one had ever made her feel so..consumed.
I came home [after funerals] and I thought if I go back to California, where I had a small house, I don't think I'll ever come east again. So I decided to stay and go through the halls and stairways, talk to Gilda Radner, holler, express some of my anger and make sure there were no ghosts in the hallways that I should ever be afraid of.And then I found out - it sounds strange, but I found out she had left me the house. We never talked about her dying and what she was going to leave me or I would ever leave her. We just didn't talk about those things.
Help me, Mikey, she wanted to say. I’m afraid. More afraid than you’d ever believe.’ And he’d take her hand and they’d fly across the rooftops and up into space and sit on some planet and watch a double sunrise or maybe a star being born or some other event that no human had ever seen, her head on his shoulder, his arm around her. And she’d tell him everything.
Tessa had begun to tremble. This is what she had always wanted someone to say. What she had always, in the darkest corner of her heart, wanted Will to say. Will, the boy who loved the same books she did, the same poetry she did, who made her laugh even when she was furious. And here he was standing in front of her, telling her he loved the words of her heart, the shape of her soul. Telling her something she had never imagined anyone would ever tell her. Telling her something she would never be told again, not in this way. And not by him. And it did not matter. "It's too late", she said.
Thalia had been turned into a pine tree when she was 12. Me... well, i was doing my best not to follow her example. I had nightmares about what Poseidon might turn me into if i were ever in the verge of death—plankton, maybe. Or a floating patch of kelp.
If the next car passed is blue, Violet will be okay, she thought. If it's red, A will do something horrible to her. She heard a growl of an engine and shut her eyes, afraid to see what the future might hold. She'd never cared so much about anything in her life. Just as the car was passing, she opened her eyes and saw a Mercedes hood ornament. She let out a long sigh, tears coming to her eyes once more. The car was blue.
I have known her longer, my smile said. True, you have been inside the circle of her arms, tasted her mouth, felt the warmth of her, and that is something I have never had. But there is a part of her that is only for me. You cannot touch it, no matter how hard you might try. And after she has left you I will still be here, making her laugh. My light shining in her. I will still be here long after she has forgotten your name.
Lady Bird was very, very shy and yet she would go out and speak publicly on behalf of her husband and on issues that mattered to her. Someone asked her once how she did it, and she said you have to "get so wrapped up in something that you forget to be afraid." And I have found that that absolutely captures those moments when I fought for something I cared about. I get so caught up in fighting for things that are important to me that it pushes me through fear and doubt.
I am going to die of love....daroga....I am dying of love .... That's how it is... I loved her so! And I love her still...daroga.....and I am dying of love for her, I tell you! if you knew how beautiful she was when she let me kiss her...It was the first ...time, daroga, the first time I ever kissed a woman.. Yes, alive... I kissed her alive.... And she looked as beautiful as if she had been dead!
"She (Minnie Ruth Solomon) was unusual because even though I knew her family was as poor as ours, nothing she said or did seemed touched by that. Or by prejudice. Or by anything the world said or did. It was as if she had something inside her that somehow made all that not count. I fell in love with her some the first time we ever talked, and a little bit more every time after that until I thought I couldn't love her more than I did. And when I felt that way, I asked her to marry me . . . and she said she would."
Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.
For a moment she turned in a circle, staring at her hands, which she held high and useless, close to her breast. She bobbed and shambled like an ape doing a trick, and her face was the silly, bewildered face of a joker's victim. And yet she could make no move that was not beautiful. Her trapped terror was more lovely than any joy that Molly had ever seen, and that was the most terrible thing about it.
She did get put through the system with a lot of the hit songwriters, who were great songwriters, but it was more like 'This is how it's done here. It turned her off - not specific people, but the whole system turned her off. And she wanted to do something, I think, that she could play for her friends in Texas and they would say, Okay, well you're still Miranda.
My mother's father drank and her mother was an unhappy, neurotic woman, and I think she has lived all her life afraid of anyone who drinks for fear something like that might happen to her.
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