A Quote by Nicholas Sparks

If you look for me, I'm in the fiction section. Romance has its own section. — © Nicholas Sparks
If you look for me, I'm in the fiction section. Romance has its own section.
My novels are in the literature section as opposed to the romance section of bookstores because they're not romance novels. If I tried to have them published as romances, they'd be rejected. I write dramatic fiction; a further sub-genre would classify them as love stories.
To look at the cross-section of any plan of a big city is to look at something like the section of a fibrous tumor.
I shop a lot from the children's section and, sometimes, from the men's section. You'll find skirts, shirts and shoes from the children's section. My friends buy me more adult-like clothes, and I love those. But I cannot do away with the colourful stuff.
For me, while writing I am an engineer, so if I decide to change the format, I want to add a section, to move a section, reorganize the section, anything I want to do, I just boot words, and I do what I want to do. So, I feel completely empowered when I'm a writer.
You can't just look at the back section of the newspaper or the sports section by itself. You need to understand everything that's going on.
I would love young girls to look up and see my string section or my brass section or the steel band and be like, 'Wow! I never thought I could do that, that's wicked! I want to be up there doing that.'
When I was little, my mom tells me, I used to say things like, 'Mom do you hear the string section? Do you hear the string section?' And she would look at me and say, 'No honey, I don't know what you're talking about.'
We hope never to live in a Republic where one section is pinned to the other section by bayonets.
New Labour has systematically alienated section after section of the coalition we need to win and retain power.
The slowness of one section of the world about adopting the valuable ideas of another section of it is a curious thing and unaccountable.
A tip for generalists who try to read economic research papers: If you get to a section that's incomprehensible, don't give up. Just skip to the next section.
The decision for me was whether to have 'The Father' be a book that told a story - from the point of view of this speaker, the daughter - without, as in the earlier books, then having a section on something else and a section on something else.
Read the news section of the newspaper and there is confusion and uncertainty, a world buffeted by large forces people neither understand nor control. But turn to the sports section and it's all different.
Bookstores see a book by a woman and they put it in the romance section.
I have a West Coast rhythm section and a New York rhythm section. I've got them spread out all over the place.
Isn’t making a smoking section in a restaurant like making a peeing section in a swimming pool?
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