A Quote by Nicholas Thorburn

It's always something that interests me, crafting a really perfect pop gem, but it's not a lifelong obsession. I've kind of moved beyond it. I think I needed to get that out of my system, to exorcise.
I never wanted to write really cheesy pop lyrics - like, 'baby, baby, the sun is shining' - that's not something that interests me personally. I'm always wanting to write something that has some kind of meaning.
'Pompeii' is kind of a lifelong obsession for me.
I'm not perfect, I'm not brilliant at everything, I just try my best and I enjoy crafting. If I have something old or broken and I can use it for something else, I get a real joy out of it.
If we're trying to get the perfect house, the perfect relationship or the perfect job, it's likely there's some kind of fear driving us beyond the natural wish to improve. It's really the refusal to acknowledge that life - including ourselves - is simply not perfect.
The only thing I think about is doing something where I'm the only person making all the decisions - I think that would be fun to do, just to get it out of my system. And honestly, I kind of got it out of my system when I recorded three songs and put them online. That was enough of a solo experience for me; it scratched that itch.
For me, titles are either a natural two-second experience or stressful enough to give you an ulcer. If they don't pop out perfect on the first try, they can be really hard to repair. Or, worse, if the author thinks they pop out perfect, but the publishing house does not agree, it's difficult to shift gears. And then? Then you go insane.
Class is really interesting to me, maybe because I'm from England where there is a pretty hideous, deep-rooted obsession with class. I don't like the obsession with class, but it certainly interests me.
I needed a song and I need a place to kind of get it out. John Paul [White] was there for me as a friend, and I really appreciated that because I just needed a place to go.
I definitely want to put out and album, kind of like a Kelly Clarkson vibe: a soulful voice with a pop rock background. I think it's something that I've always loved and always loved to perform. So that's the kind of album that I'd like to put out.
I think it's best for me to kind of just plough on doing whatever interests me, just following my own whims, because otherwise, I would think, 'Oh well, I have to write something now that really represents my generation or that really represents young Irish people.'
We need to figure out a 'harvest system' to collect the produce that stores don't put out for customers to buy because it's not perfect looking. Frankly, the stuff left to rot in the storeroom is more beautiful to me than the perfect carrot. I'm a gnarly carrot kind of guy.
I've always seen process of crafting as part of the thinking process. It really forms the gestation of the work. I'll get an idea; I want to express this idea, sometimes I'll start it, but during the process of making the object - if it's an object or a painting - it changes. It never goes in a linear progression from A to Zed. It's always this kind of circuitous, stumbling, groping in the dark kind of process of evolving.
I have always followed exactly what interests me and never really worried about the money. And when you think about it, to be able to travel the world... on an expense account and do exactly what interests you, it just doesn't get much better than that.
What interests me is to paint the kind of antisensitivity that impregnates modern civilization. I think art since Cezanne has become extremely romantic and unrealistic, feeding on art. It is Utopian. It has less and less to do with the world. It looks inward - neo-Zen and all that. Pop Art looks out into the world. It doesn't look like a painting of something, it looks like the thing itself.
For me, I know that people always expect me to be perfect, so when I'm not perfect, it's really frustrating. I'm really hard on myself and want things to work out right away.
Truth be told, I'm not all that comfortable with celebrity culture. That was always something that baffled me, the obsession over fame. I don't think that's a reason why anyone should get into making music.
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