A Quote by Nick Antosca

The Shield made me realize there were great opportunities for writers in TV. — © Nick Antosca
The Shield made me realize there were great opportunities for writers in TV.
Going from The Shield to singles competition, it wasn't a really big transition for me. Before we were The Shield, we were all singles wrestlers. And we were wrestling a bunch of guys all the time down in developmental.
You could name the great stars of the silent screen who were finished; the great directors gone; the great title writers who were washed up. But remember this, as long as you live: the producers didn't lose a man. They all made the switch. That's where the great talent is.
In a way, 'Lost,' or maybe TV in general, is a kind of a contract between the writers and the viewers. And the actors - of course we have a great deal to do with it - but where the drama's made, sort of where the meeting of minds is, is between those two parties: writers and audience.
The whole ecosystem of celebrity has broken down for writers. If you go back to the '50s, '60s, and '70s, writers were on TV a lot, and they were allowed to misbehave a lot. Truman Capote was a pop figure, but it wasn't until he went on David Susskind's show and had that extraordinary voice and manner that everyone could imitate, that he really took off as a figure. Norman Mailer and Vidal, the same thing. The bestselling writers now, there's no great animal energy with them.
I realize I live in a bubble, and all the opportunities are there to me. And having done a number of popular TV series, I'm mildly famous in certain situations, and lots of doors open to me.
Let who will boast their courage in the field, I find but little safety from my shield, Nature's, not honour's law we must obey: This made me cast my useless shield away.
Socialism is an insurance policy bought by all the members of a national economy to shield them from risk. But the result is to shield them from knowledge of the real dangers and opportunities.
It was actually the movie 'Rushmore' that made me first realize that I could try writing, but 'Cheers' is the best show ever. The writers on that show created a relationship that writers today still fail to rip off successfully: the Sam and Diane.
An actor that tells you that they have real choices between material is, for the most part, lying. There are very few people that have opportunities. But what you do have where I am in my career, is saying no to the things that seem repetitious. For me, I always look for material that allows me to bring my worldview to it. And those opportunities, since the beginning of The Shield, have grown exponentially.
The whole ecosystem of celebrity has broken down for writers. If you go back to the '50s, '60s, and '70s, writers were on TV a lot, and they were allowed to misbehave a lot.
The great writers like Chekhov know that tragedy and laughter are just a few steps from each other ... but it took me a long time as an actress to learn that. Actually Arthur Miller taught me in the Seventies. We were making a CBS TV drama of his play Playing for Time about Auschwitz but the characters were laughing. It was a big insight for me to realise that that was what's called gallows humour, in this case worse than the gallows, that humans need to laugh and make jokes in order to survive.
The piece I most love wearing is Mother's gold brocade cocktail dress with matching jacket... It's 'flip and flirty,' as my mother prescribed. It's crisp yet splendid. It makes me feel I've put on made-to-order armor. My mother's armor. Armor that helped shield me from exclusion. Armor that helped shield me from inferiority.
My greatest life lesson has been to not wait for the opportunities to come to me. I realize how important it is to be proactive and to create the opportunities myself.
When I seen myself on TV, it made me realize, 'You're doing what you really wanted to do. You're living out your dreams.'
Let's start spreading work experience and opportunities a little wider so that the photographers, writers, and TV producers of tomorrow are drawn from a broader section of society.
Dad made it to Gold Shield Detective, so he always busted Robin, my oldest brother, and me. Always got caught, whatever we were doing.
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