A Quote by Nick Brandt
You wouldn't take a portrait of a human being from a hundred feet away and expect to capture their spirit; you'd move in close.
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I want to get a real sense of intimate connection with each of the animals - with that particular lion or elephant in front of me. I believe that being that close to the animal makes a huge difference in the photographers ability to reveal its personality. You wouldn't take a portrait of a human being from a hundred feet away and expect to capture their spirit; you'd move in close.
Take away material prosperity; take away emotional highs; take away miracles and healing; take away fellowship with other believers; take away church; take away all opportunity for service; take away assurance of salvation; take away the peace and joy of the Holy Spirit... Yes! Take it all, all, far, far away. And what is left? Tragically, for many believers there would be nothing left. For does our faith really go that deep? Or do we, in the final analysis, have a cross-less Christianity?
A true portrait should, today and a hundred years from today, the Testimony of how this person looked and what kind of human being he was.
A true portrait should, today and a hundred years from today, the Testimony of how this person looked and what kind of human being he was
Expect your every need to be met, expect the answer to every problem, expect abundance on every level, expect to grow spiritually. You are not living by human laws. Expect miracles and see them take place. Hold ever before you the thought of prosperity and abundance and know that doing so sets in motion forces that will bring it into being.
You are all spirits. It is not that you "have" a spirit. To have a spirit implies that you are spirit and that you are also something else. Human beings are spirits. Being a human being is one of the ways of being a spirit.
Short stories and some short novels are close to poetry--with the fewest words they capture the essence of a situation, of a human being. It's like trying to pin down the eternal moment.
I do have my own personal convictions and values, and I live by those. But as an artist, as a portrait photographer, my job is to tell the truth and to capture someone's spirit on a certain day. And it's never the whole truth; it's the truth I experience in a very intense and intimate fashion.
The portrait of a person is one of the most difficult things to do. It means you must almost bring the presence of that person photographed to other people in such a way that they don't have to know that person personally, but that they are still confronted with a human being that they won't forget. That's a portrait.
We [Native Americans] respect being human beings, but also the natural and spiritual world and I thought that came across wonderfully and I hope a lot of people get a sense of that; not to take away that we also have that warrior spirit.
I was hoping to do an impressionist painting, but I wanted a good likeness and I wanted to create a feeling of the lady as a person, as a human being rather than as a figurehead for the monarchy and a pomp-and-circumstance sort of formal portrait. I wanted more of a relaxed portrait.
Style has a profound meaning to Black Americans. If we can’t drive, we will invent walks and the world will envy the dexterity of our feet. If we can’t have ham, we will boil chitterlings; if we are given rotten peaches, we will make cobblers; if given scraps, we will make quilts; take away our drums, and we will clap our hands. We prove the human spirit will prevail. We will take what we have to make what we need. We need confidence in our knowledge of who we are.
If it is the love of that which your work represents--if, being a landscape painter, it is love of hills and trees that moves you--if, being a figure painter, it is love of human beauty, and human soul that moves you--if, being a flower or animal painter, it is love, and wonder, and delight in petal and in limb that move you, then the Spirit is upon you, and the earth is yours, and the fullness thereof.
Expect change. Analyze the landscape. Take the opportunities. Stop being the chess piece; become the player. It's your move.
And if the imam and the Muslim leadership in that community is so intent on building bridges, then they should voluntarily move the mosque away from ground zero and move it whether it's uptown or somewhere else, but move it away from that area, the same as the pope directed the Carmelite nuns to move a convent away from Auschwitz.
In 'Beowulf,' director Robert Zemeckis uses a technique called 'motion capture' to conjure fantastical things, angles into action and sweeping vistas to stun your eyes and take your breath away. But what he hasn't mastered and what the technique can't do is this: emotion capture.
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