A Quote by Nick Cannon

A lot of people don't know the first time I was ever on national television I was a 'Soul Train' dancer. — © Nick Cannon
A lot of people don't know the first time I was ever on national television I was a 'Soul Train' dancer.
With 'Soul Train,' it was the first time I was on television. And I just couldn't believe it.
Young dancers are training at a very vulnerable time in their lives, through adolescence, and while they are trying to work out who they are as people, never mind as a dancer. So train the whole person, not just the dancer.
When Ellen came out on national television, it was the first time I'd ever seen an LGBT woman represented in such a prominent way.
I remember the first time I saw the 'Sugarhill Gang' on Soul Train. I was 11 or 12. I was like, 'What's going on? How did those guys get on national TV?' And then, when I was a little older, a rapper from the neighborhood got a record deal. I was shocked.
I'm happy that people think of me as the greatest tap-dancer that ever lived. But it's just a rumor. Because the greatest dancer that ever lived knows everything, and I don't. I'm still learning. I still have a lot of work to do.
I have a picture of all of us going to a club with my friends from 'Soul Train.' All the girls just going out to a nightclub, and we're all dressed like we were dressed on 'Soul Train.' It was the most surreal experience for me because I walk into the club with them, and people started screaming. 'Oh my God! It's the 'Soul Train' dancers.'
There were a lot of people shouting out. I know it's not proper tennis etiquette, but this is the first time I've ever played here that the crowd has been behind me like that. Today I felt American, you know, for the first time at the U.S. Open. So I've waited my whole career to have this moment and here it is. ... It was great. It was awesome. It was like winning gold.
The 'Soul Train' legacy and brand are of the utmost importance to me and to 'Soul Train's' millions of fans. After years of offers, I feel the time is now finally right to pass the torch.
After I directed for the first time, I wanted to call every director I'd ever worked with and apologize. In television you are tasked with shooting 42 minutes, or whatever, in eight days. That's not a lot of time.
Once in a while a good opportunity would come along, like the first 'Playhouse 90 ever to air - working in television afforded me my best opportunities. The (film) industry was going through such turmoil at the time - studios didn't know where to go anymore, they were falling apart, television was there. They didn't know what kind of films people wanted. The European films were making a huge impact because those films wanted real people in real situations.
I've been a Republican since age 13, when we got our first television set, and I saw the Republican National Convention on television. And President Eisenhower was talking about personal responsibility, about opening the door for opportunity and that people could really take care of themselves without a lot of government intrusions.
It's funny because a lot of people that know me as a dancer, don't know that I'm a singer, and a lot of people that know I can sing don't know I can dance. And so, I feel like at some point I have to show them both and really be able to display it and showcase it, and put that out there.
There was a time in my life I wanted that Olympic medal, and all I did was train, train, train and work harder than ever.
You don't really have time to do other than what's written. It's very rigid. Shows have a certain rhythm that nobody wants disturbed. So a lot of that doesn't take place on television, at least the television I was doing at the time when I first started.
I love living in L.A. It's quieter. It's much more relaxing. I'm living in a house for the first time ever. I have a backyard for the first time ever; a dog for the first time ever. So it's a lot of firsts, and I love it so much. It's just so different. It's a nice change of pace.
A good dancer is not necessarily defined by great technique, skill, or ability to pick up choreography but by confidence. When you feel the music, it penetrates to your soul. Everybody's a dancer. The greatest dancer is someone who is willing to dance, not afraid.
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