A Quote by Nick Cassavetes

We do have a problem in this country. You can either make a movie and ignore that, or you can acknowledge it and say, this is the water that we're living in. You know this - the movie lives in this - it's centered around this particular problem, and I chose to acknowledge it.
My greatest responsibility is to acknowledge the mistakes and the shortcomings of the country in which I live, to acknowledge my privileges, and to try to make it a better place.
I see the main problem as a spiritual one, not a resource problem, or a problem with this or that government, but a larger problem centered around human beliefs, the troublesome elements founded in our mythology. Our problematic mythology is collapsing all around us. It is a mythology that is predatory.
For too long now, European football authorities have not taken the problem of racism in the game seriously and refuse to acknowledge how widespread the problem is.
And what is the Republican solution to these outrageous [racial] inequalities? There isn't one. And that's the point. Denying racism is the new racism. To not acknowledge those statistics, to think of that as a 'black problem' and not an American problem. To believe, as a majority of FOX viewers do, that reverse-racism is a bigger problem than racism, that's racist.
I know that I'm just a spirit. I'm just a soul living a human experience. You come here for a purpose. So, once you acknowledge that and acknowledge that God put you here for a reason, I feel like you gotta fulfill that as much as possible.
I think it's more normal to make a movie dealing with love, sexual or not, than to make movies about bank robberies, which very rarely happen in real life. So I would say the problem is not what some people feel is normal, I would say the problem is why this whole industry is far more obsessed with filming scenes of dominance, guns, invasion.
There is some pleasure in doing a movie and problem solving on a specific movie and getting a movie made, but once they are done, we don't look at them again, much less relate one to another.
I have this problem with violence. I've only done one movie in almost 20 years where I killed people. It's called Perdita Durango. It's a Spanish movie. I'm very proud of the movie, but I felt weird doing that.
Human nature being what it is, people don't want to acknowledge that a problem exists when they know they have 35 other problems to deal with.
Our kids just aren't living in the same generation, and if they're not introduced to gender identity as a problem, they won't internalize them as a problem. Which isn't to say they won't meet bigotry in their lives.
'The Dark Knight,' for me, has the same problem that every other 'Batman' movie has. It's not about Batman. I think Heath Ledger is just phenomenal and the character of the Joker is beautifully written. He has a particular philosophy that he carries throughout the movie. He has one of the best bad guy schemes.
The problem with 'Don't Be Afraid of the Dark' was that it was designed to be a PG-13 movie. It was literally a horror movie for a younger generation. I was trying to do the film equivalent of teenage, young adult readers, and when they gave it an R rating, the movie couldn't sustain an R.
Why don't we talk about your love life? Clary countered. "What about you and Alec?" "Alec refuses to acknowledge that we have a relationship, and so I refuse to acknowledge him. He sent me a fire message asking for a favor the other day. It was addressed to 'Warlock Bane' as if I were a perfect stranger. He's still hung up on Jace, I think, though that relationship will never go anywhere. A problem I imagine you know nothing about.
You cannot fix a problem that you refuse to acknowledge.
Spielberg is our hero. For him to make a nod to 'Godzilla' just before we make our movie is like getting the king to acknowledge you at dinner.
The problem of criticism is not judgment but evocation - conveying the particular emotional and visual feel that the movie has.
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