A Quote by Nick Cave
It's very important that the music has a sense of adventure to it, and that it's done by the seat of your pants. There's a kind of nervy element about it.
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I take music very seriously, but it's important to me that my music is - I don't know if 'intuitive' is the word, but there's a really important element of something kind of mysterious. It's not academic or esoteric.
Flying by the seat of your pants precedes crashing by the seat of your pants.
It's an adventure. I mean I spent a lot of time in the Himalayas and over the years have come to know them very well. I would say most important is the first sense you have in a place like that, and that is the sense of being on an adventure.
'Trek' is probably more cerebral and philosophical. 'Stargate' does seat-of-the-pants adventure and humor better.
In a hospital, there's a lot of high-energy, seat-of-your-pants, in-the-moment things that need to be done.
It's definitely important to have a vision, to have kind of a sense of what might be possible, but not to be dogmatic about your beliefs about the way something has to be done.
Finish. The difference between being a writer and being a person of talent is the discipline it takes to apply the seat of your pants to the seat of your chair and finish. Don't talk about doing it. Do it. Finish.
There's a thrill in flying by the seat of your pants - trousers, actually: 'pants' in English means underwear - because most shows don't operate that way. Network shows are repetitive.
I'm a very anxious, nervy kind of loser in many ways, and I get very stressed and a little tense.
The good thing about the Anvil school of filmmaking was that it was fly by the seat of your pants. There was no safety net.
Teenagers are passionate and they want music that speaks within their hearts. It's a big deal for students to listen to Christian music and talk about it at school. Music is a very exciting element of your life when you're love. I think it's huge.
I'm a very nervy kind of person, who finds it almost impossible to relax.
I had always done these 3D things that you could walk through. They were always done off the seat of my pants without blueprints or course.
I think the important thing about staying creative and staying sharp and original is not to look back too much, and to kind of look to where your vision is going now. But I have felt over the years a definite progression or arc from feeling guilty about what I had done with the first one, because certainly there was all that fundamentalist guilt that came pouring back in. Feeling like I'd done something horrible, "I'm a despicable person and I'm perverse," and all these things, to a sense of the power and the necessity, in a sense, of horror films and dealing with dark material.
That's always been the process of our music, in a sense, keeping it simple, not being so heavy that you are beating people over the head, it's just weighted down and it's like, "oohhh I can't relate." People are able to relate because we talked about things that everyone has experienced, it doesn't matter your race or genre. Music was your mainstay. There was something in our element of music that connected.
I know we're all addicted to our smartphones, and I'll say, if I forget my smartphone, I go home and get it. And so understanding how to integrate that technology into the driving experience, both the front seat and the passenger seat and the back seat, I think is very important.
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