A Quote by Nick Cave
I'm very happy to hear that my work inspires writers and painters. It's the most beautiful compliment, the greatest reward. Art should always be an exchange.
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I always said God was against art and I still believe it. Anything obscene or trivial is blessed in this world and has a reward - I ask for no reward - only to live & to hear my work.
... too many young painters of the day work for the crowd, and not for art. But, then, should not the painters of the day work for the education of the crowd?
For me personally, I love art and artists of all mediums and we've seen madness is more often than not present in the greatest painters, poets, writers, and songwriters in history.
Years ago I decided that the greatest need in our Country was Art... We were a very young country and had very few opportunities of seeing beautiful things, works of art... So, I determined to make it my life's work if I could.
Real writers-that is, capital W Writers-rarely make much money. Their biggest reward is the occasional reader's response.... Commentators-in-print voicing big fat opinions-you might call us small w writers-get considerably more feedback than Writers. The letters I personally find most flattering are not the very rare ones that speak well of my editorials, but the occasional reader who wants to know who writes them. I always happily assume the letter-writers is implying that the editorials are so good that I couldn't have written them myself.
To me there is no past or future in my art. If a work of art cannot live always in the present it must not be considered at all. The art of the Greeks, of the Egyptians, of the great painters who lived in other times, is not an art of the past; perhaps it is more alive today than it ever was.
Today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source. They work from within.
There are, of course, always painters whom I admire and find fascinating. I've often thought, 'Goodness, if I could paint like the Danish Golden Age painters, the early 19th century painters, the way they could paint a landscape - absolutely beautiful.'
It's still a compliment when you're backed by younger and older, but it's actually unexpected. It's surprising, but for me it's in fact the most beautiful compliment.
Modern art to me is nothing more than the expression of contemporary aims of the age we’re living in. All cultures have had means and techniques of expressing their immediate aims – the Chinese, the Renaissance, all cultures. The thing that interests me is that today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source, they work from within.
Art inspires me. Looking at art in a museum, listening to music, reading the works of other writers.
One might think that the money value of an invention constitutes its reward to the man who loves his work. But... I continue to find my greatest pleasure, and so my reward, in the work that precedes what the world calls success.
Most of what I do is for creative people - writers and painters and photographers - trying to work through creative problems.
When I talk of primordial innocence, I hear it in Sufi music with the nay flute. I see it in Coptic icons, in most traditional art, particularly art of the American Indian. I find the texts extraordinarily beautiful and very childlike and very simple. I've been particularly interested in American Indian texts.
I've got a very wide taste in art. I like Russian icon painters. I like Salvador Dali. It's like music. Sometimes you want to hear Led Zeppelin, and sometimes you want to hear Stravinsky. It just depends.
In the greatest art, one is always aware of things that cannot be said. . .of the contradiction between expression and the presence of the inexpressible. Stylistic devices are also techniques of avoidance. The most potent elements of a work of art are, often, its silences.
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