A Quote by Nick Cave

The idea of acting is something that absolutely repulses me. I just can't do it. I'm terrible at it. I get roped into films every now and then, and it's always a disaster. — © Nick Cave
The idea of acting is something that absolutely repulses me. I just can't do it. I'm terrible at it. I get roped into films every now and then, and it's always a disaster.
Don't get roped into talking about something that you don't really have passion for, and don't get roped into something you don't have expertise in. Why should somebody listen to you? If you're going to take somebody's time, you better deliver.
Free time keeps me going. It's just something that's always been a part of my life. I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
Acting is something where you have to completely remove yourself. So, do I find acting easy? Absolutely no! Do I want to do more of it? Do I enjoy doing it? Do I feel appreciative to get this opportunity? Absolutely!
It was difficult for me to feel my feelings, so I just buried them. Then I found that acting was a way for me to get them out. But now that I'm a reasonably sane adult, acting is more about my trying to engage other people: Acting is cathartic for the viewer as well.
When I do stand-up for a long time, I'll get burned out, then I'll get an acting gig. For me, the grass is always greener. I'd like to do a mixture of all of it. My goal is just to do small movies that I've written. That's what I'm trying to do now, just write smaller movies.
Trying to micromanage the perfect vacation is always a disaster. That leads to terrible times. If you get lost and you just end up eating just anywhere, you know, you see a bunch of Venetians sitting around smoking cigarettes, eating something unrecognizable in a dark alley somewhere, chances are it's interesting.
I like the idea of making films about ostensibly absolutely nothing. I like the irrelevant, the tangential, the sidebar excursion to nowhere that suddenly becomes revelatory. That's what all my movies are about. That and the idea that we're in possession of certainty, truth, infallible knowledge, when actually we're just a bunch of apes running around. My films are about people who think they're connected to something, although they're really not.
Every now and then, people will recognize me at restaurants or Universal Studios or something. I'll always take a picture with them if they want. I mean, that's what telling stories and acting for a living are for - for the people.
Acting was something I always wanted to try. I just didn't know how, or I didn't know when the door was gonna be open for me to try it. But it finally opened up for me when I did 'Turn It Up', and ever since then I've been in love with doing films.
If you look at the films that I've done generally, you would probably get an idea of what I'm most interested in, and if ever I do something unusual like a science fiction film or an action film or a comedy or something, then that to me feels like a step to the side to do something different.
People come to me with ideas for shows, and I certainly am thinking of stuff all the time. And it's always like, you know, "Get high and drive a car!" Or "Get high and do this or that." It's always things like, "Well, that's a terrible idea to get high and do that." So, when they came to me with this, I was like, "Well, you're just sitting there and discussing cases."
In order to get past disagreements, you just can't have one person with power decide. In other words, so just because I'm a boss, it would be terrible if I then said, "Okay, we're gonna go do this." That's why, after that thoughtful disagreement, there has to be a process of an idea meritocracy. That means okay, now you have to vote, not that the decision resides with power. And then you vote and move beyond it.
When you study, as I did, every theatrical beginning in this country, none of them have been greeted well. The Royal Shakespeare Company was a disaster, Peter Hall was a disaster, Richard Eyre was a disaster, Trevor Nunn was always a disaster.
Nooo! Leave that to George Lucas, he' s really mastered the CGI acting. That scares me! I hate it! Everybody is so pleased and excited by it. Animation is animation. Animation is great. But it's when you're now taking what should be films full of people, living thinking, breathing, flawed creatures and you're controlling every moment of that, it's just death to me. It's death to cinema, I can't watch those Star Wars films, they're dead things.
Method actors are absolutely terrible. They want to direct themselves, and it's a disaster.
It's absolutely of no importance who or what V was under the mask. He isn't a who or a what, he's an idea. The thing is, you couldn't continue it. Now and then the idea of a sequel has been raised, in vague forms, but I think it would be a bad idea. The story's finished.
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